Most people are
drawn to writing because they want to create the story they want to read. Recognition, as in, “I recognize me” can be
frightening. You might use someone you
know as a character in your book and now you fear he/she will recognize
themselves. Will they be angry,
offended, or even upset? This character
in your book isn’t really them – just based on their characteristics, yet will
they be okay with that?
Often times we use
the personalities of people we know as characters in our books ––without being
consciously aware of it. We are writing about
feelings and it’s our experiences that drive our characters actions and reactions
in our book. This might come across disloyal
to the people we love. Our characters
are often developed on our own upbringing, and we start to fear that we will be
“recognized” in a personal or even frightening way.
But where else should
we draw the personalities of the characters we are writing? We draw from
experience and those around us. I would never make a character one-hundred
percent a person I know, but I do draw on personality quirks and traits. I do draw on strong (good and bad)
personality habits or language. I remember way back when I started writing I
was told my heroine always had to have a ‘tag’ like Scarlet O’Hara did the
‘fiddle de de’ expression. I’m so glad
we are past that particular ‘must’ … but do find twitches, or mannerisms, or
even language habits to help the reader recognize or have expectations for your
characters.
One thing I am
cognizant of these days . . . our readers might want strong heroes and
heroines, but they do not want them to be perfect. They no longer want the ‘petite little woman’
or the ‘fainting damsel’ – although I do concur there is a time when collapsing
from exhaustion or stopping to catch one’s breath because of excessive running
is not a weakness, but a physical necessity.
My rule is to put
myself into the character’s situation or position. Imagine myself in the role
and decide is it plausible, realistic, and necessary. Never have a character do
anything for sensation sake, for extra drama or gore . . . I truly believe
todays reader is sophisticated and education . . . he/she will see right
through this and you’ll lose the credibility of the story.
When creating the
characters of your book, be true to whom you want her/him to be. Draw on the
people you know and ‘borrow’ those traits. If your reader recognizes
herself/himself . . . you don’t have to admit it’s them, and if they don’t like
what is written – I always think – hmmm, maybe they should evaluate themselves
and change – if they don’t like what they read.
The first time I knew
my mother-in-law was reading my love scenes, it was a bit uncomfortable. But,
she said she loved the book – and never brought up those ‘special scenes.’ I figured if she could read them – heck so
could my family and friends. J It took a bit to accept people were reading
my love scenes; but as a dear friend jokingly said, when I told her the next
book was a bit ‘steamy’ she said, “Oh, I live for those scenes – where else do
I get them?” We had a good chuckle over that!
The bottom line -
don’t take it all so seriously. Write the character that fit your story, draw
from the people around you and make them your own. Don’t worry if someone is going to recognize
it’s them, and if they do … maybe they should be flattered. Hopefully they’re your ‘heroine’ and not the
‘villain!’
Readers need to remember that characters come with all types of personalities and just because a heroine shows weakness in the story in some places and the reader prefers strength, we are 'showing' stories with a reality flare, and no matter how strong a person might want to be given a difficult situation, even superman and kryptonite didn't get along. I get a tad confused in reviews when people can't make up their mind whether they want fact or fiction...and even though many of us write fiction, there still has to be a believable plot involved somewhere. :) Great post, Rita.
ReplyDeleteYour comments are so true...thanks, Ginger. :) Rita
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