Showing posts with label #Lynx. Show all posts
Showing posts with label #Lynx. Show all posts

Monday, September 20, 2021

Opening Scenes #Lynx, Rodeo Romance Book 1 By Connie Vines #Lynx Rodeo Romance, #BWLAuthor, #MFRWAuthor, #CowboyRomance, #RandomThoughtsScatteredAbout

Feature # 8

 Hello, My Lovelies,

It's Rodeo Season

SEP 23 - SEP 26•

Salinas, CA

California Rodeo Salinas

Payout: $437,500


Opening Chapter from my Rodeo Romance Series, Book 1, Lynx


Charlene hadn’t told Rachel that she’d fixed her up with a cowboy, much less Lynx Maddox, the “Wild Cat” of the rodeo circuit.  Rachel sighed.  She should have known.  After all, Charlene only dated men who wore boots and Stetsons.

Rachel Scott cringed at the very thought even as her gaze took in the breadth of Lynx Maddox's chest, his broad shoulders, and dark green eyes that scanned her with blatant masculine approval.  

Despite her stern efforts to control it, her heart pounded against her rib cage. She'd seen him sitting at the table with Charlene Davis and Dan Elder before he'd spotted her.  Oh, she'd allowed herself to look when he'd walked her way--looking didn't hurt.  And it was okay to dream--a little fantasy never harmed a woman.  But that was it; that was where it ended.  After watching her father die in the arena, Rachel had sworn she’d never have anything to do with another rodeo cowboy. She stopped her train of thoughts and managed to give the cowboy a smile.  

"Nice to meet you," she said, accepting his extended hand.  She felt the strength in his warm calloused fingers.  Rachel tried to ignore a fluttering sensation low in her stomach.  There was one thing she was certain of as she looked up at his piercing eyes and uncompromising jaw--men like him had trouble written all over them.  And she doubted Lynx Maddox would prove to be an exception.

"Rachel, I'm glad you came tonight."  His voice was soft as velvet and laced with a Texas drawl.

He smelled of woodsy masculine cologne and the sudden rise in her body temperature clued Rachel to the unexpected twist to this encounter--she was much too aware of this sexy cowboy.  So aware, in fact, she had difficulty recalling her own name! She focused on the warmth of his hand against hers and she knew, although his grip was light, he was very strong.  Nevertheless, his strength wasn't affecting her nearly as much as the power of his presence; it vibrated everywhere, even from the sawdust-covered floor beneath her feet.  His slow, lingering smile seemed to unravel what remained of her composure.  For several seconds she seemed incapable of speech, or even movement.  

Good Lord, she was having heart palpitations!

Her reaction was so out of character, Rachel was at a loss as to what to do.

"I hope you didn't mind meetin’ us here," he said, easily, oblivious to her inner turmoil. 

His question seemed to release her tongue from its state of paralysis.

"No.  Not at all,” she replied, feeling somewhat less nervous.

"I'll see you home, of course," Lynx said, ushering her farther into the room.

I don't think so, she thought, eyeing the tall stranger. Meeting Lynx here at the honky-tonk was one thing; going home with him was entirely another.  She didn't voice her decision, however, she knew Charlene would be horrified if she dared to offend him.  So exercising her limited diplomatic skills, Rachel sidestepped the issue.  "Is it always this crowded in here?  And so loud?" she asked, suddenly feeling claustrophobic.  The drummer seemed to have placed himself inside her head, his sticks pounding against her skull, and the raucous noise of the patrons made it almost impossible to hear herself think.  The packed crowd made it difficult to breathe.

"Friday nights are always busy.  Haven't you been here before?" he asked.

"No."  She realized her comment was a bit sharp, but she couldn't help that.  Honky-tonk bars were fine for other people, but not for her.  If it weren't for her fast-talking best friend, Charlene Davis, she wouldn't be here--feeling so out of place and strangely vulnerable.  

"What happened?" he asked, looking down at her.  "Lose a bet?" 

"Sort of," she mumbled so low he couldn't hear her.  Forcing a smile, Rachel said, “I guess everyone should experience this once."  More than her hearing was under assault.  Somewhere low in her body, a riotous group of sensuous messages beats in rhythm to the band, the lyrics communicating thoughts about Lynx Maddox she shouldn't even be thinking.

Lynx arched one dark, sardonic eyebrow. "This place will grow on you.  Trust me."  

Rachel stopped and looked up at him warily. She knew better than to trust him—or anybody.  At twenty-four, she'd been on her own for years.  After a moment, she regained her composure. "Dan and Charlene have a table for us across the room, don't they?"

She peered through the smoke that diffused the colored lights revolving overhead, and swallowed as the bitter haze of tobacco coated the back of her throat.  A cloud of it hovered near the ceiling, giving the mirrored wall behind the bar a bluish look.  The air was stale and smelled of barley malt, tobacco, and hay.  Rachel blinked, her eyes burning. 

Lynx grinned.  "Well, they did.  It's kinda difficult to tell right now, though."

Rachel couldn't help but agree, especially since his white western shirt stretched across his impressive chest, which was more than wide enough to block her view.  When he shifted, she couldn't tell how many people were standing beyond him.  "How on earth are we going to get through that mob?" she asked.

"We don't have to," he said, easily.

"What do you mean?" Rachel asked, puzzled.

"We have another choice.  We can sneak out the back door to some quiet, secluded spot where we could, ah, get better acquainted."

A hot flush of denial raced to her cheeks and Rachel knew she was about to tell a lie.  "Thanks, but I think running the gauntlet is a better idea right now.  I'm sure Charlene wants me to meet her date."

Not the least bit offended, Lynx winked at her.

"Okay, sweetheart.  Stick with me, and I'll show you how a man makes a path."

Lynx placed his hand under her forearm to guide her toward the table.  Rachel felt heat rise along the length of her spine, and a fine sweat gathered at the small of her back.  Darn Charlene and her matchmaking.  Ever since Rachel’s break-up with Steven two years ago, Charlene had hovered over her like a mother hen.  Finally, after months of badgering, Rachel had given in and agreed to show up at the honky-tonk that night.  Now, with Lynx so close, she could almost feel him breathe, Rachel wondered about the wisdom of her actions.

No man was worth the risk of losing her peace of mind.  In her life, what men had offered her had turned out to be mirages.  Rachel knew all about mirages, and she made sure she steered clear of them. 

As they made their way toward the center of the dance floor, someone bumped her from the side.  The man was wearing high-heeled, western boots designed for something far less physical than evasive maneuvers.  Rachel felt thrown off balance and automatically reached for Lynx's arm.

His grasp tightened around her wrist, to steady her.

Embarrassed at being reduced to grappling with her date, Rachel quickly regained her footing.  As soon as she succeeded, she moved to step away from him.

Assessing the situation, Lynx held her hand.  His brows drew together in displeasure as he shot a warning glance toward the offender.  "Justin," he growled.  "Watch your step, cowboy."  Though unsteady on his feet, the man still managed to back off in a hurry.

"Careful," he addressed her. His voice, though gruff, held a soothing tone.  Grateful for it, and the fact that he seemed willing to ignore her embarrassment, Rachel breathed a soft sign of relief.  

It was his next comment, which had her emotions zinging. "A woman can't be too careful in a place like this."

Rachel shook her head and chuckled to herself.  Those were her thoughts, exactly.

Rachel tried to convince herself that the rush she felt upon making eye contact with Lynx had to do with their close proximity, not the dark-haired man's expression.

A muscle in Lynx's lean cheek jumped in response to her appraisal and exasperation lurked in the depths of his eyes, the greenest eyes she'd ever seen.  It was at that moment Rachel realized she was in trouble.  A warning bell clamored in her brain like the buzzer in a calf-roping contest, still Rachel chose to ignore it.  

Lynx wrapped his arm around her shoulder, glancing at the crowd.  "Don't worry Rachel--you'll get the knack of it," he said, pulling her to his side.  "Relax and let me do all the work."

Somehow, she managed to tear her gaze away from his, to put one wobbly foot in front of the other.

Forcing herself not to stiffen at his nearness, 

Rachel adjusted to the rock-hardness of his body.  She knew that professional bull riders were strong--built heavy in the chest and shoulders; still, Lynx was a mountain of a man, topping six feet by two or three inches.

"Come on," he said, swinging her into his arms.  "Looks like there's only one way to get to the table."

Rachel gave a gasp of surprise by the sudden turn of events.  Finding herself pulled against him, she refused to crane her neck to look up, so she stared at the middle of his chest. She swallowed.  Maybe it was the shock of being held in his arms or the topsy-turvy, surreal feel to the evening, but her insides wouldn't stop quaking, and the way his hand kept stroking her side didn't help.  To make matters worse, strands of her hair were tumbling loose from its French twist.  With those loose strands flowing down to her breasts, she knew she resembled a wide-eyed flower child far more than a capable, independent woman.

The way Lynx looked at her only confirmed her suspicions.  

Lynx tucked her head against his chest.  "I won't bite. You can relax a little."

Fat chance, she thought as she followed his graceful steps around the dance floor.  Lynx was very good at taking control.  He was brisk without being rude, and it was obvious he didn't know her.  Not that she was unreasonable or difficult, Rachel assured herself; she simply had her principles—that was all.

As they neared the table, Charlene stood up and waved. Lynx grinned and guided Rachel into a complicated two-step that left her gasping for breath.  

Charlene let out a whoop of delight when they reached the table. "You two sure dance well together," she said, glancing at them with a speculative gleam in her eye as she reached for her date's arm.  "Rachel, honey, I want you to meet Dan Elder."  

"Hello Dan," Rachel replied, and smiled at the lanky, red-haired man, trying not to act uncomfortable with Charlene's appraising look.  Stepping away from Lynx, she returned the offered handshake.  "Charlene's been looking forward to this evening for weeks.  It's good to finally meet you."

"I'm sure glad you decided to join us, Rachel.  Otherwise, I'd still be waiting for Charlene to get ready."

Charlene gave Dan a playful jab to the ribs with her elbow, and he grinned.  "I didn't hear you complaining.  As I recall, you were too busy pawing through my refrigerator--"

"Can I help it if you make the best meatloaf this side of the Mississippi?"

    Charlene gave a snort of disbelief.  "You're from Texas.  What do you know about the             Mississippi?"

    Lynx chuckled.  "She's got you there, cousin."

    "I reckon so."

    Lynx pulled out a chair and Rachel gave him a polite smile as he seated her.   

        Quarters were crowded, the chairs wedged closely together.  Rachel tried not to notice the heat of Lynx's muscular thigh pressed against hers.  Why hadn't she maneuvered closer to  Charlene?  This was crazy.  She shouldn't be feeling this way.  Thinking these thoughts.  

        She didn't mean to touch his arm when she reached for a napkin.  Or bump his thigh with her leg, did she?

    Immediately, Lynx put down his drink.  His gaze began to roam over her face and Rachel caught her breath.

    It was as if they were tangled in some web of emotion that was unbreakable.  Suddenly everything before her seemed to shift into slow motion.

    A smile was out of the question, she thought, as she stared at his lips.  She knew if he lowered his head and touched his lips to hers, it would have triggered such heat it would have ignited a Fourth of July firecracker between them.  

    "What would you like to drink?" he asked, voice low as his gaze held hers captive.

    I hope you enjoyed my teaser!

    What woman doesn't love a cowboy?


Thank you for stopping by,

XOXO

Connie

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Monday, April 13, 2020

Everyone,

I'm blogging today at Romance Gems.

We have our April Contest, follow the link to find my Easter Egg!
Remember to sign up on Raffelcopther and the contest page, too!


https://romancegems.blogspot.com/




Saturday, January 19, 2019

Character Development—Personalities and Break-Out Secondary Characters by Connie Vines #RR68


This month’s Round Robin Topic: How do you develop different personalities in your characters?  Break-out secondary characters—the making of a new story.

The ‘How’ of the writing is always interesting for me to analyze.

While I have detailed plot lines before I write a story or novel, I am instinctive when creating my characters. 

As I’ve blogged before, I begin with a sense of time and place.  When the story in bubbling in my subconscious, I heard snippets of conversations, a song playing in my head (you know that annoying song simply leave you alone), or a impulse to cook a certain regional food.

A few examples:  When writing ‘Lynx” Rodeo Romance book 1, “Amarillo by Morning” kept playing in my mind.  I located by paternal grandfather’s Tex-Mex chili recipe and made chili once a week.  And then a brassy woman speaking with a Texas-twang and popping her chewing-gum would pop into my head (ala 'Flo’ in an old TV sitcom).

We all know a novelist always falls in love with her ‘first hero’.  My first romantic hero was Lynx Maddox.  While his younger sister was only mentioned in the first book of my Rodeo Romance Series, she became by break-out character in the second book, “Brede”. Whereas Rachel Scott and Lynx Maddox were the stars of my contemporary romance; Brede Kristensen and Amberlylnn Maddox stars shine in my romantic suspense novel, “Brede” Rodeo Romance book 2.

My characters also ‘drive my story’—often in a different direct, thus destroying months of detail research. “Nooo! Not again.”  Yes, this is my first reaction.  And, of course, I rebel at the very thought of shoving my months of detailed research back into my file overflowing file cabinet.  I’ve learned I am not able to force my characters to act against his or her nature.  Painful though it may be, I listen and I shift my story-line.

When did this happen?

The first time I experienced this ‘traumatic’ writing experience, I was plotting, “Tanayia—Whisper upon the Water” my sweet historical romance. 

Tanayia was to be a member of the Paiute tribe of Native Americans.  She was being groomed for the ‘taking of the shawl” (becoming a medicine woman).  I was involved in Native American Education Programs, served on a PAC Committee (parent advisory council), and participated in powwows.  I interview tribal elders and traveled to historical sites, etc.  I’d plotted by novel down to a puppy’s freckle, so to speak.

While Tanayia allowed me to keep the historical event which formed the opening event of my 1st chapter, I learned she younger.  She was also a member of the “Nde” Apache tribe.  Tanayia was also strong-willed and determined.

My novel was not set in a different tribal area, difference climate, different customs, beliefs. . .well, you know what that meant.  Yes, more research.   I live within driving distance of Sherman Indian School in Riverside, CA.  In fact, I attended powwows where the Apache (Fire) dancers from the White Mountain Reservation danced each year. 

In the end, Tanayia was correct.  My story was her story.  It was her life, her experience—it was history, accurate, painful.  It was the personal growth of a young woman, torn between two-worlds.  I must, in the end, thank Tanayia for the awards this novel was awarded:  The Independent e-Book Award for YA Historical Fiction, The Dream Realm Award, and a National Book Award Nomination.

Are more break-out characters evolving in my novels?

Yes, there are a few nudging me now.

I also have a new hero, or two, with a foot hold in my plotting-world right now, too.

Watch for my flash fiction story in anthology available February, 12, 2019.  Cover reveal and more info will be posted soon on my blog (here) and at my website very soon.

Happy Reading and Writing,

Connie

Remember to visit the blog sites of these wonderful Round Robin authors:

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
> Helena Fairfax http://www.helenafairfax.com/blog
> Beverley Bateman http://beverleybateman.blogspot.ca/
> Anne Stenhouse  http://annestenhousenovelist.wordpress.com/
> A.J. Maguire  http://ajmaguire.wordpress.com/
> Fiona McGier http://www.fionamcgier.com/
>> Diane Bator http://dbator.blogspot.ca/
> Dr. Bob Rich https://wp.me/p3Xihq-1qI
> Victoria Chatham http://www.victoriachatham.com
> Rhobin L Courtright http://www.rhobinleecourtright.com 




Thursday, August 3, 2017

Author Branding—Don’t Muddy the Waters (Part 2) by Connie Vines

Before we get to this week’s post, let me summarize last week’s assignment.



How to Design Your Author Brand

Okay, it’s scramble time.  Find a piece of paper and something to write with.  You can use the note app in your phone, but I think pen to paper works better in this case. (If you write under more than one pen name, just select one.)

Ready?

Write down what your author brand is.  You have 10 seconds. Go!
Time’s up.

Were you able to write down your brand?  Did you use 6 words or less?
Good for you.  You probably have a good idea of what your brand is.

If you didn’t (you are with me) don’t worry.  We will go about fixing the problem.

Brands Need to Be Specific

If you failed, the above test the reasons are likely because:

1. You don’t really know what your brand is yet.
2. You are over-describing your brand and couldn’t write it all down fast/concisely enough.

Now is the time to sit and ponder.  Strip away the contradictions, muddiness, superfluous.

What does a brand do?  A brand is a signal to customers to know what to expect when they see it.
Once they have had experience with a brand, they (hopefully) know what to expect.  Ideally this is a favorable expectation that encourages them to purchase your product, talk to their friends, and take
chances on your next release.

How about a brand like this?

“Daring, Thrilling, Romantic, Action Packed.”

What if we change it to…

“Daring, Thrilling, Sexy, Action Packed”

A big difference isn’t it?

I selected very genre-esque words.  This was my intention because genres play a big role in branding. Brands are also about trust.

Remember genres and sub-genres are their own brands.

This is really important.    We already have a mind-set/ expectations when we select a genre to read.  If you select a “Historical” novel (unless it is a sub-genre) you do not expect or probably appreciate elements of Urban Fantasy in the story-line.  Riding in stage coach, you prim-and-so proper heroine isn’t going to mesh with a hidden magical world featuring Fae, Vampires, and Werewolves.    So, unless you plan on inventing your own sub-genre (SteamPunk/StoneagePunk) with a limited readership, consider what you are inheriting from your genre.

Following these guidelines, I will attempt to come up with a brand for my current Rodeo Romance Series (BLW, BooksWeLove, Ltd.).

Genre:  Contemporary Romance (Lynx), Romantic Suspense (Brede), Contemporary Romance/Humor (Rand), Romantic Suspense (TBT).

I’ll go with Romance as a genre.

Now to the dictionary and thesaurus.

<Suspenseful music plays now>

Will Connie discover her ‘brand’?  Will her readers like her ‘brand’?
<Music continues>

Spoiler Alert:  Connie has awakened the ‘inner series branding’ within her mind!



Author Branding, Part 2.

I know last week I said I’d continue my topic next month.  However, since we are entering the holiday season, I thought I’d provide a mini-update this week.

What series brand did I develop for my Rodeo Romance Series?

“Instant Action. Sizzling Attraction!”   Set amidst the excitement and danger of the rodeo world—Rodeo Romance Series by Connie Vines.


Each novel:
Book 1, What woman doesn’t love a cowboy? Lynx Maddox gallops into your heart in “Lynx”.
Book 2, A hard-edged rancher saves a mysterious woman’s life, placing himself and daughter in jeopardy.  “Brede”.

For my novella series:

“Sassy & Fun Fantasy Series”
Here Today, Zombie Tomorrow, novella 1.

So how did you do on your homework assignment?

Ideas?  Comments about my branding results?

Feel free to post comments or send me an email.

Connie



Saturday, December 3, 2016

The Art of Lying (aka Creating the Bad Guy) by Connie Vines

A compulsive liar is defined as someone who lies out of habit. Lying is their normal and reflexive way of responding to questions. Compulsive liars bend the truth about everything, large and small. For a compulsive liar, telling the truth is very awkward and uncomfortable while lying feels right.






So, you have your “perfect” hero and “perfect” heroine’s character sketches and novel outline at your fingertips.  What about your “not-so-perfect” villain, aka the bad guy?  He’s just the bad guy.  Ah, but the villain is a key player in your novel.  And, you’d like him to be a compulsive liar.  However, you really want to keep the reader guessing. . .

In law enforcement, these actions are called “tells”.

How do you make the “perfect” liar?  You need to know the rules before you can break them.
What will your villain have perfected?  Why, the art of lying, of course.




Nine Tips your Villain Can Teach you about the art of lying

1. Keep your head up:

“In all shows, there is always that moment when the magician risks being discovered,” explains Jacques H. Paget*, illusionist and negotiations expert. For example, when he makes a ball “disappear” as it remains hidden in his other hand, he may tend to tilt his head to the side, a movement which, however small, may be unconsciously perceived by the viewer as an indicator of cheating. “This is an instinctive gesture that we all do when we are afraid of being caught.”
Conclusion: Your villain knows to keep his/her head straight up. This will prevent the other person from getting suspicious.

2. Use the phone:

Sometimes lying is much simpler over the phone.  Deception makes our voices drop a pitch, in order to sound more stable and assured, but lying also exposes us to three negative emotions – fear of getting caught, shame and guilt – and these may just manifest in our voices.  Your villain knows this.  Your hero/heroine may believe the action was unintentional—the first time.

3. Repeat the scenario:

If you are telling a story, the villain knows he/she first needs to integrate it as a complete theater role. Being an actress does not mean just to learn words. It is also necessary to be at one with your thoughts and emotions. These are the things that will generally reflect your words. And some techniques can better reflect what it feels like:

– Begin and end sentences clearly.
– Take note of punctuation marks, especially full-stops.
– Sustain consonants that make words ring.
– Speak clearly.
– Work on your expressive diction.
Playing your role with sincerity.

 4. Control your actions:

“Our body speaks its own language and never lies,” says Dr. David J. Lieberman, hypnotherapist and a doctor in psychology. If you’re not careful, some little gestures will only end up betraying you.
Embarrassed by your hands, you slip them into your pockets or you lay them on your hips.
You sputter, your smile trembles and cracks as you declare how much you love the gift you received.
You touch your face, you scratch your ear, place a finger on your lips, you rub your eyes or nose to justify your delay in response.

Your face, your hands, your arms punctuate your words belatedly, and in a somewhat mechanical way.

You display a grimace instead of a grin while expressing your joy of learning promoting a colleague.
You pull a folder, a book and computer against your abdomen, as if it were a shield. Without understanding why your partner says there was something wrong with your story…

5. Do not say too much:

You call a friend to postpone a lunch for the third time. Listening to you presenting your perfectly oiled explanations, she begins to find this suspicious, there is just too much justification. To avoid getting caught, you think, better increase the size of your tale: the bigger it gets, the more credible it will seem. Because of its magnitude, it cannot possibly be invented. Your villain knows less is more. . .believable in this case.

6. Put on your sincere face:

Instead of looking your interviewer in the eye, aim for the tip of his nose. It is less destabilizing and you do not have the look diagonally, distant and elusive, whilst you spin your yarn. “Establishing good communication requires eye contact for 60-70% of the time of the dialogue,” says psychoanalyst Joseph Messinger. Also, be wary of your eyebrows wrinkling, your eyes crinkling and your eyelids blinking – they raise doubt.

7. Deviate from the truth:

A good lie always contains an element of truth. “In this case, the truth functions as a decoy.” For example: “I have an appointment with the dermatologist…” is a good primer. Then the embroidery comes in: “… to check my moles,” but you casually omit “…and to complete my Botox sessions.” It’s just a shot you have to take.

8. Do not say I:

Your villain knows to entrench himself/herself behind objective, impersonal, irrefutable facts.  “My company recruits only its sales executives with a certain diploma/certificate” … that your friend’s son happens not to possess, of course.

9. Camouflage:

Sharpen a pencil. Hang a picture. Drink coffee. Practicing an activity to pass the time is unquestionably the best camouflage for a lie. Is what any expert in non-verbal communication will tell you. The ideal situation? Lying whilst you are behind some sort of wall or partition, in order to neutralize body language, which is less controllable than words. It is essentially a way of saying that
those with mowing the lawn or trimming hedges are at an advantage for if they want to lie.

Little lies?  Big lies?  Huge lies?

It’s your story.

It’s your chance to create the “perfect” villain.


Happy Reading & Writing,

Connie


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