Focus on Premise - by Rita Karnopp
If you are aspiring to write the breakout novel, what should you
know? The Breakout
Novelist by Donald Maass, is by far the best
book I’ve read about this subject.
In chapter one of The Breakout
Novelist I learned about premise, and below is
an excerpt I’d like to share with you.
“A ton of craft goes
into any novel, much more so, I suspect, with a work that can grip the
imaginations of millions of readers. At a certain point in the process, even
the process of organic writers, choices are made: Story paths are selected,
scenes are tossed out, new layers are added. Those choices can make a story
larger, deeper, more memorable, or not. You may experience that process as
outlining or revision, but whatever you call it, it is planning your story.
Planning a
breakout-level novel sounds like magic. It’s not. Notions for stories come to
everyone, all over the place, all the time. The trick is not in having a flash
of inspiration but in knowing how to develop that
scrap into a solid story premise, and, as important, in recognizing when to
discard a weak premise that will not support the mighty structure of a breakout
novel.
Breakout premises can
be built. It is a matter of having the right tools and knowing how to use them.
A breakout premise need not be narrative; that is, a mini outline. It can be
something smaller, but if so, it must have the energy of a uranium isotope.
It could be the cold
bright light of a November afternoon, the feel of a black-edged telegram in a
mother’s hand, the putrid smell of a week-old corpse in the trunk of a BMW, a
woman’s sworn oath before God that she will never go hungry again. In short, a
premise is any single image, moment, feeling, or belief that has enough power
and personal meaning for the author to set her story on fire, and propel it
like a rocket for hundreds of pages.”
I found that
information edgy and inspiring. Again,
if you are considering writing that breakout novel, reading The Breakout
Novelist by Donald Maass is a smart first
step!
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