We need to learn what motivates our
character as the story progresses. They
must have reasons why they do the things they do. They must have reasons why they resist the
right decision. They also must have
reasons why they react the way they do.
Each of these ‘reasons’ is what motivates our characters as well as drives
the plot of the book.
Confused? Don't be; it's simpler
than it may seem. Characters can be broken down into four groups:
1.
The never changing character – they
refuse to change in personality and motivation.
You get what you see.
2. The
no-personality changer – they don’t change or grow during the story –but they
want to.
3. The
changing character – they change but their motivation does not.
4. Finally
we have the characters who changes throughout the story - as their
motivation also progresses.
While plotting out the story we must decide what is the key
motivation for each main character.
This
will add incredible depth to the story.
Always be aware that character and plot are entwined.
The
never changing character – I’ve
often heard that a character must change – even if in a small way. Why?
Think about James Bond – he’s smart, debonair’, unstoppable, and he gets
the girl. His character has a single
direct motivation the entire length of the story. At the end, Bond is still smart, debonair’,
unstoppable, and he gets the girl.
And when you think about it - his motivation doesn’t change either. He accepts
a mission, and he doesn’t stop until it’s accomplished. There are always the ‘mini’ motivation
interruptions such as saving a woman from drowning or escaping a death trap.
We can apply this never changing
character with a direct motivation to any genre’. Our responsibility is to present the reader
with a character and goal clearly and powerfully obvious from the start. There will be no doubt who this character is
and why he’s doing what he's doing. This
then gives us (the writer) ‘license’ to obfuscate the story plot.
Be aware – an unchanging character
with a direct goal still can react or respond to more than one emotion at any given moment. Our Mr. Bond might feel
attraction to a knock-out blonde and at the same time distrust her. If your character feels two conflicting
things toward another character, bring this to life in the scene in which it
happens. Then—and this is the important part—return to the main goal in the
next scene.
This tells us that his
motivation is unchanged. Although Bond, for instance, has just made love with a
woman, she hasn’t fundamentally changed him. He is not changed in either his behavior
or mission as a result of her attractions.
The
no-personality changer – This type of story focuses on a character who doesn’t
change in persona or attitude, but what he/she wants acclimates as a result of
story aftermaths.
These characters are
often the heroes or villains. The heroes are admirable characters from the
beginning. They don’t change because the writer has created a character that is
supporting an ideal/situation that he/she clearly represents and embodies. Say for instance saving an endangered species
or leading a group to keep oil from being drilled in sacred Native ground.
The fact is your
character starts-out heroic, you don’t want him to change.
The
changing character – Then there are the stories
where the major character changes notably. The character has a single cause/motivation
due to their backstory. Consider
Pollyanna’s aunt. She refused to show
kindness and love – because as a young woman she’d been hurt by the man she
loved. A lot had to happen for her to
see it was okay to reach out and love.
The point here – she had to change for the story/plot to have
resolution.
Keep in mind when you
write the changing character:
·
His/her character
change must result in response to story consequences or results. Develop the
story so your character changes the way you want.
·
Your character must
have emotional responses to these events.
·
Make sure the
character change is emphasized. The ‘change’ must be shown. This is called
validation, and it is crucial for all changing characters.
·
You must add
validation at the end of the story so the reader knows this character’s change
is not temporary. Usually this ending validation is on a larger scale than what
has gone before.
Readers enjoy and are
satisfied at the end of a book when there is a changing character/single
motivation.
Characters who changes throughout
the story - as their motivation also progresses - Of the four characters, this is the most complex fictional
pattern. A character’s personality as well as their goals change throughout the
story.
Simplifying this
character – change him/her from a self-centered model to a caring – putting
life in danger to save the child-type.
With this type of
character your hero/heroine’s changes must be dramatic and prove they are a
result of the horrendous events, be supported by believably portrayed emotions,
and be confirmed by ensuing actions on his/her part.
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