A lame plot will kill your story
every time. There’s something even more
threatening that will kill your story before the reader ever gets a chance to
grasp the plot . . . dead characters.
Yep . . . they may be talking and walking – but if they aren’t exciting,
demanding, flawed, emotional, physical, and even devious, your reader won’t
waste their time.
While plot is important, good characters can make or break your
book. The bottom line is our characters must be realistic and believable. Even if your plot is a bit wavering – good
characters will carry the story through every time. Readers care about characters
they believe in, pull for, sympathize or empathize with. The interaction between your characters,
relationships, and their challenges together or against each other create
energetic, active and dynamic stories.
There are endless categories of relationships you can use in
your book. For example; romance,
siblings, best friends, child/parent, human/God, employee/boss,
caregiver/receiver, aggressor/victim, and on and on . . .
It’s all about relationships and what goes wrong/right with
them. Steer clear of the cliché
relationships; boss and secretary, father and his precious daughter, housewife
and her handsome neighbor, etc. Today’s
characters are sharp, savvy, vocal, adventurous, competitive, jealous,
vindictive, controlling, etc.
A clever tool to use when developing your characters is introspection. It’s a self-examination or analysis, a sort
of reflection or soul-searching that reveals so much about your character. How? Have
your character ask, “Why do I hate him so much?
How can I get past this jealousy?
Why am I so attracted to him?
These questions motivate your character as the story develops.
If you’re writing about a woman who doesn’t trust men – what
happened to create this wariness? What
torments, sufferings, and anguishes did she go through and how is she handling
it?
Character flaws or strength can be the catalyst of your story. Remember, flaws are good – no one is
perfect. Does your character fight for
the land of his ancestors and maybe lose his temper whenever oil company
representatives show up in town?
Consider giving your character flaws that can be fatal. Maybe the oil representative is innocent of
swindling land, and is now facing your character’s fury . . . will he kill a
guiltless man?
Have you considered the intensity of your story comes from the responses,
sentiments, reactions, views, sympathies, and even love the character might
have for or against one another? We
associate with these reactions and that’s what makes us care about the
characters in a story. We might identify
with their love and maybe even their hate.
I read once, “Let your characters gossip among themselves.” Now that’s some great advice and a super way
to get to know your character and those around him.
We feel a strong connection for a character who is willing to
sacrifice everything for another. This
character will keep you pulling for him, because we admire such a trait.
Let’s talk more about writing better characters Thursday.
No comments:
Post a Comment