There is nothing stronger than using
emotion to create strong characters that drive your plot and create an
exciting, strong book.
There’s a wide range of emotions we use to heighten our plots
and create motivation. If you can add
frustration to the mix - you’ve discovered a tool like no other to thrust your
story forward.
So how can you use frustration to propel your story? The Wikipedia explains that in psychology, frustration is
a common emotional response to opposition. Related to anger and disappointment, it arises from the perceived resistance to the fulfillment of
individual will. (I had to read that three times to
get it!) In other words,
when a person really wants something – and they don’t get it – anger and
disappointment results.
The greater the
obstruction, and the greater the will, the more the frustration is likely to
be. Important to understand and develop in your plot.
Causes of frustration
may be internal or external. This can be used in so many good and evil ways
in your story.
In people, internal
frustration may arise from challenges in fulfilling personal goals and desires, instinctual drives and needs, or
dealing with perceived deficiencies, such as a lack of confidence or fear of social situations. Can you believe that is one sentence?
Okay… so internal frustration is driven by the belief we are inept or
unable to fulfill our goals. This creates
fear or a lack of confidence.
Conflict can also be an internal
source of frustration; when one has competing goals that interfere with one another, it
can create cognitive dissonance. Internal conflict is a
source of frustration that has a character fighting the need to do wrong, when he
knows what’s right. Use this internal
conflict to show his reasoning or thinking through conflict, discord, and even opposition.
External causes of frustration involve conditions
outside an individual, such as a blocked road or a difficult task. We create diverse external causes of
frustration all the time. This tool can
create an unexpected event that sends your normally calm character over the
edge and lose control. Or it’s the
external frustration that propels your already stressed character past control. It’s the unexpected interruptions and the
foil to the perfect plan.
While coping with
frustration, some individuals may engage in passive–aggressive
behavior, making it
difficult to identify the original cause(s) of their frustration, as the
responses are indirect. Passive-aggressive
behavior is the indirect expression of hostility, such as stalling, sarcasm, unpleasant jokes, inflexibility, resentment, hostility, or repetitive failure
to accomplish requested tasks for which he is responsible.
Tomorrow we’ll discuss the propensity toward aggression.
Do you just write these off the top of your head? I'm so impressed and learn so much.
ReplyDeleteaw.. that is so sweet of you to say . . . it means a lot ...hugs, Rita
ReplyDeleteYes, Rita. Very impressive. I'm also amazed that you keep going and going (like the Energizer Bunny) despite your wrist, root canal, and a host of other impairments that would sideline most people. You go, girl!
ReplyDeleteThanks, Kathy . . . it's my passion to keep writing book after book that keeps me pushing on. And...to be honest...my sister Diane had throat cancer and she suffered more in 12 years than any one person should . . . yet she never complained. She always said, "It's not about waiting for the storm to pass ... it's about learning to dance in the rain." I draw my inspiration from her ... and miss her every day. It'll be 5 years in August - seems like forever...yet she's with me every day.
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