Dishin' It Out: Are You a Member of a Critique Group? Or Do You Have a Partner#? #Round Robin #Writing Tips #Critique Groups

Thank you, Skye, for this month's topic.

"Are you a member of a Critique Group. Or do you have a partner?"

I, like most writers, find that our needs change as we evolve.

While my reading preference was historical (Ancient) fiction and non-fiction.

My first published works were magazine articles (fiction and non-fiction) and children's and YA short stories.

Of course, many of those articles featured Ancient Egyptian medicine and its influence on today's physicians, as well as the discovery of penicillin.

I also delved into the Salem Witchcraft Trials and completed a historical YA novel.

Classroom presentation with Jaques Condor

I'd found my niche (or so I thought).

After a church potluck, a close friend encouraged me to attend Romance Writers of America meetings (her sister was a co-president of a local chapter). I hemed and hawed... and avoided committing. She reminded me I had a knack for humor. Which did not play well in historical novels. (Time was rather grim back then 😉).

I mentioned RWA at a board meeting of the Pomona Valley Writers' Association. A fellow board member became so excited that she immediately called her best friend to carpool.

Not the reaction I expected. My friend, afterall, wrote gory crime novels.

I was committed. The local RWA chapter held monthly meetings in the back room of a restaurant. When membership expanded, the Fullerton Library housed us, and we required four rooms in a civic center.

Guest speakers included screenwriters, best-selling authors, and our own members, now signing multi-book contracts.

However, to learn the craft of writing book-length fiction, I joined a 4-person weekly critique group. Each of us had a strength and also a weakness. My weakness was writing too short (the jump from magazine length to YA book length was difficult). My strength was dialogue and humor.

The jump from YA to 55.000 words plus required by Adult fiction was painful.

Extremely painful.

Thankfully, I acquired a "Big Sister" at RWA (my local chapter's mentorship program). I learned the ropes. While writing and rewriting were now routine, writing contests were "humbling".

At some point, I finally honed my skills. The form rejection letters were replaced with a phone call from Hillary at Kensington... and finally, my first book-length sale (no revisions needed) for the Precious Gems line.

Within several months, I also signed a contract for a YA historical novel and an activity book. "Whisper upon the Water" became a "featured read" at public libraries and part of the G.A.T.E. (Gifted And Talented Education) program.

I believe creative writing classes and your instructor's input provide a strong foundation. There are online writing classes and workshops that are vital in honing your craft.

However, having a writer's group of 3 or 4 people is the best way to adjust to a career of 'deadlines'. You are required to produce material. Missing components are pointed out, and ideas are shared. (After all, your partners are your readers. If they don't understand where your scene is headed...your readers won't either.)

I also found it helpful to have an assortment of genre writers in your critique group. Red herrings are required in all forms of fiction.

Sadly, COVID put an end to all in-person gatherings.

Writers, as a rule, are introverts. I haven't gone back to hosting a writers' group or searching for one to join.

I do, however, have several writing friends who will read my final draft and offer "Pearls of Wisdom". ( RR blog, hoppers included). I also belong to OCRW (Orange County Romance Writers), which hosts monthly online meetings and writing workshops.