What is meant when we talk about ‘balancing
character traits’ in a story? Imagine if
you had a hero who is so full of himself that he’s almost unlikable? He needs a
balancing character, one who can keep the hero from taking himself too
seriously, one who ‘compliments’ the hero.
It can even take the path of humor or explain the reason the hero hides
behind his façade. Or consider you have
a beginner detective who needs a mentor, someone he can look up to. Or you might want to show a hard-boiled writer
and show his softer side by giving him a daughter he’s devoted to.
We all will admit the most important supporting
character in any genre is the sidekick. It seems every suspense protagonist has
one. One of my favorites is writer Castle, who has his detective ‘friend’
Kate. Think about your favorite and
you’ll know exactly what I mean. The
‘side-kick’ compliments the main character.
They are usually opposite and that has a way of making things
interesting.
It’s the old cliché, opposites
attract. Suspense protagonists and their sidekicks are a study in contrasts. Create
a sidekick and watch the fun begin.
That takes us to the fact that every
protagonist in a suspense needs an adversary, too. This is not the villain, but
a good-guy character. The adversary
drives your protagonist nuts, pushes his buttons, harasses him, puts obstructions
in his way, and is literally a pain in the behind. It might be a domineering co-worker,
or a know-it-all best friend. It might be an ex-wife who wants nothing but to
prove the protagonist wrong. It might even be the sexy neighbor who only wants
to seduce the protagonist.
Conflict is the trigger
that jolts your character alive. The
adversary can cause the protagonist all kinds of momentous glitches and
complicate your story by putting up barriers to the investigation.
An adversary may
remain stubborn and skeptical off the protagonist’s theory. Or an adversary may
be intentionally disruptive. Let’s say for example the ex-wife may fail to forward
information because she is jealous of the implications.
When developing an
adversary, remember it should be someone who can spoil, infuriate and generally
get in your protagonist’s way. With an adversary in the story, your protagonist
will get oodles of opportunity to bicker, struggle and in general show his grit
and shrewdness.
Although supporting
characters give your character life, each one should also play a distinct role
in the story. We all consider the supporting
character a bit of a stereotype, but don’t forget to flesh them out. Turn them into complex characters who do
things that surprise you—and, in turn, the reader.
Never allow the supporting
character to control the limelight, but weak and boring characters shouldn’t be
allowed to take-over your story, either. Also make sure your reader doesn’t become so
involved with the supporting character that he/she takes over the story.
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