Showing posts with label Rodeo Romance. Show all posts
Showing posts with label Rodeo Romance. Show all posts

Friday, November 15, 2024

The Right Career for your Characters By Connie Vines #Round Robin #writing tips, #defining your characters


The Right Career for Your Characters.

November's topic from Skye:  
Creating a believable career for your character(s).

#1 brew a cup of coffee. Tonight, it's Columbian Roast with a splash of milk, served in a "Peanuts Snoopy" mug with Snoopy seated next to a typewriter.

#2 In the weeks before plopping myself in front of the keyboard for a dedicated writing session, I heard bits of dialogue or conversations in my head. I also have a sense of time and place.

#3 Then...My dreams have music. It's one theme song, replaying on a loop. All. Night. Long. It's cranked up to "movie theater" loud. One night, the theme of "How The West Was Won" or "The Yellow Rose of Texas," or my least favorite song of all time, "Stand by Your Man."

#4 He's a Texan. A Bullrider. The "Wildcat" of the rodeo circuit. His name is Lynx Maddox.

#5 The Heroine? She must have a connection to the rodeo world. Rachel Scott's father was a bronc rider. She lived with her grandmother while her parents traveled the circuit. 

#6 She's attending a local college while supporting herself waitressing at the local diner. 

#7 The Opening Scene: 

Chapter One, Rodeo Romance, Book 1, "Lynx"

Charlene hadn't told Rachel that she'd fixed her up with a cowboy, much less Lynx Maddox, the "Wild Cat" of the rodeo circuit. Rachel sighed. She should have known. After all, Charlene only dated men who wore boots and Stetson.

Rachel Scott cringed at the thought even as her gaze took in the breadth of Lynx Maddox's chest, broad shoulders, and dark green eyes, which scanned her with blatant masculine approval.

Despite her stern efforts to control it, her heart pounded against her ribcage. She'd seen him sitting at the table with Charlene Davis and Dan Elder before he spotted her. She'd allowed herself to look when he walked her way--looking didn't hurt. And it was okay to dream--a little fantasy never harmed a woman. But that was where it ended. After watching her father die in the arena, Rachel had sworn she'd never have anything to do with another rodeo cowboy. She stopped her train of thought and gave the cowboy a smile.

"Nice to meet you," she said, accepting his extended hand. She felt the strength in his warm, calloused fingers. Rachel tried to ignore a fluttering sensation low in her stomach. There was one thing she was sure of as she looked up into his piercing eyes and uncompromising jaw--men like him had trouble written all over them. And she doubted Lynx Maddox would prove to be an exception.

"Rachel, I'm glad you came tonight." His voice was soft as velvet and laced with a Texas drawl.

He smelled of woodsy masculine cologne, and the sudden rise in her body temperature alerted Rachel to the unexpected twists in this encounter—she was much too aware of the sexy cowboy. She focused on the warmth of his hand against hers and knew that although his grip was light, he was very strong. His presence had a power; it vibrated everywhere, even from the sawdust-covered floor beneath her feet.
His slow, lingering smile seemed to unravel what remained of her composure...

💖


#8 Many authors approach setting up a career for their characters systematically and logically. However, my mind doesn't work that way. 


I often have general knowledge. My father is from Texas, and I've lived in the panhandle and vacationed in Montana. I've mucked out stalls, ridden horses, and even taken a tumble. 

However, I knew almost nothing about the sport of Bull Riding, aside from the fact that "I can't even watch it on television." 

I had never worked in a fast-food restaurant, diner, or as a waitress in a restaurant. 

#9 So, how did I overcome my ignorance? I annoyed people, mostly. I interviewed friends and strangers familiar with ranching/western life. I also read rodeo books and magazines and convinced my children and husband they had always wanted to attend rodeo events. 😉

#10  One must remember to walk in each character's shoes, paying attention to detail in each person's point of view and temperament. Rachel's background will color her reactions. She is an introvert but will stand her ground. Lynx is self-assured and self-reliant, with a cowboy's code of honor. Charlene is an extrovert who has never met a stranger. Dan is Lynx's wingman and cousin.

# 11 The career must also advance the story's plot, and the character's actions, reactions, and life choices must ring true. (Be sure to read my rodeo arena and Honky Tonk Bar scenes, the latter a nod to my late cousin Clancy Carlile.) 


















 Thank you for stopping by :)

Please visit the talented authors participating in this month's Blog Hop. I'm visiting their websites now!!

XOXO
Connie 


Saturday, April 22, 2017

Book Reviews, Love Them or Hate Them? by Connie Vines

Victoria suggested this month’s topic. Reviews - Love 'em, hate 'em or totally ignore them. Amazon tells us the more 4 or 5 reviews the better of book sales.

I ignore reviews when I purchase a book.  I am more inclined to purchase a book that has won or was a finalist in a National or International contest:  H.O.L.T Medallion, National Book Award, Independent e-Book or  Romance Writers' of America Contest.  When peers honor you, it promises  a well crafted story.  Whereas reviews are subjective or give all the plot points, or, GASP, spells our the ending!

I’ve read books with horrible reviews because I know the author and ending up loving the books. I’ve read books by Best Selling authors with  ðŸŒ ðŸŒ ðŸŒ ðŸŒ ðŸŒ  reviews, forced myself to finishing the novel and ended up bemoaning my lost cash. When I’m looking at buying or reading, I check out the topic/setting,  author, the cover, the blurb and the first page.

When it comes to my writing and garnishing of reviews,  I do place effort in the endeavor.  I blog, guest blog, toss freebies out on social media, post Twitter, Instagram, Pinterest, and Facebook.  I've sat at rodeos, powwows, book stores, libraries, and live podcast feeds.   All resulted I a respectable number of book sales, but few online reviews.  The small publishing companies expect you to get and publish your own reviews.  Sounds easy, especially when your sales are respectable.  Unfortunately, people are more inclined to post a 'didn't like it review' much quicker than, 'I love it!'  ðŸ˜ž--especially if the book was a free read or only cost 99 cents.

While I welcome well thought out reviews, I find the chase takes away from my writing and at that is self defeating.  This year, I'll be focusing more on promotion and branding. I believe this will result in increased sales.

I wouldn't say I hate reviews (I like a good review as much as any other author) but I appreciate a reader who runs up to me or sends me an email.  A reader who quotes my heroine, loves my hero, and cries at the end of each of my novels. I am a story teller.  And every story teller is looking for a happy ending!  Making my returning readers happy, is the best review!

 I look forward to reading what the authors have to say. I hope you read their blog posts, too.

Marci Baun  http://www.marcibaun.com/blog/
Dr. Bob Rich https://bobrich18.wordpress.com/2017/04/22/how-to-get-reviews
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea 
Helena Fairfax http://www.helenafairfax.com
Rachael Kosinski http://rachaelkosinski.weebly.com/
A.J. Maguire  http://ajmaguire.wordpress.com/
Margaret Fieland http://margaretfieland.wordpress.com
Rhobin Courtright http://www.rhobinleecourtright.com


Purchase here:  https://www.amazon.com/Connie-Vines/e/B004C7W6PE

                          http://www.barnesandnoble.com/p/lynx-connie-vines/1114972573/2675952593078?st=PLA&sid=BNB_DRS_Marketplace+Shopping+Books_00000000&2sid=Google_&sourceId=PLGoP1948&k_clickid=3x1948

                          https://www.kobo.com/us/en/search?query=Connie%20Vines&fcsearchfield=Author
                          https://www.goodreads.com/author/show/205731.Connie_Vines
                          http://coldcoffeemagazine.com/lynx-by-connie-vines/ 
             

Wednesday, October 26, 2016

How Effective are Book Give-a-ways or Contests? by Connie Vines

1. How effective do you think book giveaways or contests are?

The key: forethought (know your audience). Careful planning, media blitzing, and a gimmick are the elements of a very successful contest. By gimmick, I mean a creative approach, one that is not a usual contest pitch.  Am I going to give you any never fail rule/a road map to success?
No--I wish it was only that easy.

You can Google names of media savvy authors.  Or Google my name and look at my website (novelsbyconnievines.com) read my interviews, my archived contest info (the links are still on Google/ Bing, some are available on my web site).  This is not a do-what-you-see-others-do, it more of fact gathering tour.  You know your story/series, and you are the best judge of what will appeal to your fan base.

After all, what is a successfully contest for me, may not spell success for you. If you write historical novels featuring a lineage page (I do enjoy researching genealogy but. . .) your readers would probably adore winning a book of Sonnets.  While my fan base (me included) are happy with a Starbucks gift card and an autographed copy of my latest eBook.

Be creative. Have fun.  If you don’t enjoy your contest, no one else will either.

2. Do you think all the free books through Amazon and the library offered to prime members affect your efforts?

I believe the free reads and lending through Amazon (for prime members) has a positive effect on my efforts in promotion.  I’m willing to try a new author or genre because of the free read offers.  I have purchase 6 books this month as of this Amazon feature.  Since I do not participate in the lending feature, I have no comment.

3. What are the best promotions you've participated in?

I find that interviews generate the most exposure for me. Contests run as a group (with your publisher, online reader/writer group etc.) is second. Guest blogging (see I’m here!), and all of my combined online presence, is third.  I am visible in my community. I judge local and national writing contests, offer workshops and guest speaking engagement.  As for book signings—in the past this was a wonderful way to ‘meet and greet’ readers.  Signing 75 books during a 4-hour event was the norm, now appearances aren’t a sure-fired way to draw readers.

The online shopping experience, or read a book at your local library and purchase it for your book shelf, seems to be the new norm.

I believe to survive in this very completive field, contests, giveaways, and name branding is a must.
After all, a loyal readership is the key to success.  Write that ‘must read’ story that your readers love and keep your name out there!

Readers what's you take on the subject?
Happy Reading,  (remember my novels are part of the Kindle Count Down this month)

See you on Saturday!  I'm going to being trying out a podcast for the blog, too.

Connie










Wednesday, September 28, 2016

How an Author Gets Her Kicks on “Route 66” by Connie Vines

Having lived a great deal of my adult life in the Inland Empire, were the
famous Route 66 runs right through my backyard.
One lazy Saturday morning I decided to set out and see
What I could find on a brief stint down the historical road from Rancho Cucamonga to San Bernardino (I'll sve the drive to Santa Monica for a future post).

 The people I met and the stories I heard in these short four hours of my morning about the people and families that have built their lives on this road, are stories I'd like to share with you.  While so much of the history has died the commercialization the the area (I cant help but think about the movie "Cars") here are the spot lights that I saw from the stretch of Route 66 that starts in Rancho Cucamonga, California, USA and ends at the city of San Bernardino.


Everyone one recognizes The McDonald restaurant logo, but did you know that there is a museum, too?



In 1940, Dick and Mac McDonald opened McDonald’s Barbecue Restaurant in San Bernardino, California, at 14th st. and E st. They had a staff of 20 carhops and a 25 item menu that included barbecue ribs, beef, and pork sandwiches. They soon became the #1 teen hangout in the San Bernardino.

In October of 1948, the brothers took the plunge (against the advice of all their customers) and closed their successful restaurant, terminated all their carhops, reduced their menu to cheeseburgers, hamburgers, milkshakes, and fountain sodas, and reorganized their kitchen in order to specialize in speed of service, simplicity of menu, and low prices. Their revolutionary thinking forever changed the restaurant industry.



This 1,718 seat auditorium was built in 1928 and is a perfect example of the architecture and style of the time. It is a beautiful building, even better when it’s lit up at night, that has been renovated on the inside to become a modern theater that is still in use today.  Link to the events.



The approach of the mighty sprawl of metropolitan L.A. doesn't mean the ride's over. Just past San Bernardino, as the cityscape takes over, this kid-friendly motel is the best of the three remaining "wigwam" motels that appeared in the '30s, '40s, and '50s. And even if you ignore their infamous sign ("Do it in a teepee"), it's worth stopping for a night. Each concrete room is well kept up and faces a palm-dotted lawn with a pool. The drive continues to the  Wigwam Motel, which is one of the most well know landmarks on this part of Route 66.




A YouTube Video of the entire Route 66 experience
YouTube Video Route 66------Route 66/ time lapsed video!

While I do not plan on every bit of research I found on my adventure, I can capture the ‘flavor’ of the experience.  Historical, Contemporary, YA cookbook?  An author is always game for a new writing adventure.

Happy Reading,

Connie

Shopping for one of my books?  here is the purchase link! 


Wednesday, September 21, 2016

What Are You Waiting For? Date a Cowboy by Connie Vines

Since many of my romance and historical novels have Western settings, And my hero and heroine, of course, are both single.  I pondered the dating dilemma of modern day cowboys and cowgirls; ranchers and the like.

During a vacation in South Dakota I realized it was often 60 miles from a ranch to any hope of  a place I would even title a 'mini' city.

That has to make for a pretty shallow dating pool.  Yes there is church, social events, and community members.  But that has an 'arranged marriage' feel to it.  I am looking for danger, mystery, and the great unknown for my contemporary romance.  I'm thinking it's something I won't find in a small ranch town. Because let's face it, small towns are big on letting 'bad-boys' hang around and marry the 'women folk'.

I'd didn't want the expected. . .a former black sheep returns home. . .she runs off with the town's bad boy.

Where you are sitting with a cup of coffee, staring into the great unknown, you realize that there is always a television commercial ad for some service.  Is particular evening, sandwiched between an Atkins and Marie Osmond  NutriSystem commercial, was a  Match.com, E-Harmony commercial.

There are numerous other online sites.  Some sites are specialized, some are not- over 50, Christian, with kids, etc.  Is there a site for cowboys and cowgirls, I wondered?

After a few minutes of Internet surfing I discovered there is indeed a site for cowboys and cowgirls. A surprising number of dating sites, in fact.

Here are the website blurbs (mind you this is not an endorsement on my part--only for research purposes.):

Thousands of singles join Western Match every day looking for dates, friendships, long lasting relationships, or marriage. If you are looking to date a cowboy or cowgirl, meet country singles, farmers, or ranchers, this is the dating site for you. Sign up today and see why Western Match is the best cowboy dating site on the net and the real deal since 2002.

This site brags that it's mobile friendly.

Welcome to Cowboy Cowgirl  Come build relationships with people who share your appreciation for the country way of life, so create a profile and start exploring. Online dating has never been easier! Connecting cowboys and cowgirls since 1999.

The one I found the catchiest was: What are you Waiting for?  Date a Cowboy.  

Yep, that one hooked me--ah, I mean my heroine.


Believe it or not there is even a dating site for Rodeo Cowboys!  Where Rodeo Meets Romance.

Unfortunately, there isn't a site to match cowboys with city girls. . . but I won't letting a little thing like that stop me!

Ideas?  Don't be afraid to share them with me :-),

See you on Saturday,
Connie









Wednesday, August 24, 2016

Mail-Order Brides in the Wild West By Connie Vines

MAIL-ORDER BRIDES in  the Wild West.

We have all watched many a western movie featuring Mail-Order Brides. I also recall a musical
 (Seven Brides for Seven Brothers) on stage before becoming a 1950's movie also.

So how historically accurate were these movies and (Here Come The Brides) television shows?

What was I able to uncover during my research?

The term "mail-order bride," as it applies to a marriage arranged via correspondence between American men and women in the Great Plains in the nineteenth century, is largely a misnomer. Twentieth-century folklore has it that a homesteader could peruse the Sears and Roebuck or Montgomery Ward catalogs and order a wife to be delivered to his dusty doorstep just as easily as he could order a rifle, stove, or stomach cure, but the truth is far more interesting.

 Arranged long-distance marriage existed in the Plains in a range of communities, took a number of forms, and grew out of a variety of social, economic, and cultural phenomena, but never involved the literal sale, purchase, or ownership of women, as the term "mail-order bride" suggests. (Thank goodness!)

Among Plains Indians, sight-unseen marriage was frequently arranged with the help of a middleman and could involve the payment of a "bride price," intended to compensate the woman's family for the impending loss of her labor. But intercultural marriage was rare. In 1854, at a peace conference at Fort Laramie, a prominent Cheyenne chief requested of the U.S. Army the gift of 100 white women as brides, but the army refused. Russian immigrants brought with them the tradition of koopla, whereby marriage brokers were paid a fee to pair men with potential spouses from the Old Country.

 During the peak years of overland migration, hundreds of thousands of white women traveled west, but the majority were already married, and it was thought that "suitable" single women did not go west alone. While many cowboys eschewed marriage for perpetual bachelorhood, homesteaders believed that married men made better farmers.

From the 1830s until the turn of the twentieth century, settlers pined for "that useful and essential article of household furniture–a wife." So severe was the shortage of single white women of marriageable age in Nebraska, recounts Mari Sandoz in Old Jules (1935), her classic portrait of Plains homesteading, "a man had to marry anything that got off the train."

By 1865 it was estimated that there were as many as 30,000 single women back east, a number augmented by the Civil War widows. The plenitude of bachelors in the Plains–and hence the chance for greater social and economic freedom away from home–beckoned women. Newspapers from Nebraska to Kansas and Wyoming (a state the Ladies Home Journal in 1899 declared a heaven for spinsters and widows) began to serve as forums for matchmaking, running regular "matrimonial columns" of paid advertisements, frequently with accompanying photographs, for example: "A young lady residing in one of the small towns in Central New York is desirous of opening a correspondence with some young man in the West, with a view to a matrimonial engagement. . . . she is about 24 years of age, possesses a good moral character . . . is tolerably well-educated, and thoroughly versed in the mysteries of housekeeping"; or more commonly, "A Bachelor of 40, good appearance and substantial means, wants a wife. She must be under 30, amiable, and musical." Across the Plains there arose a cottage industry of "heart and hand" catalogs, folded double sheets and broadsides devoted entirely to the matrimonial prospects.

Letters were the only means of courtship between potential mates separated by thousands of miles. According to one bride, the Pony Express "took about four weeks to go from east to west," and letters "often came in bundles." Language was a means of persuasion. Illiterate men could dictate their letters to typists who, for a fee, would doctor their sentiments on Remington Standards. Dishonesty was a risk. Men and women could easily misrepresent their physical attributes, their station, or finances. A homesteader who sent his betrothed a train ticket might find that she had turned it in for cash. A 1911 Wahpeton Times article tells of a New York girl for whom, upon arrival in Buford, North Dakota, "the spell was immediately broken" when she saw the face of her intended. ((Not unlike the social media matches of today's cyber world of romance.)


The railroad also played an important role in the western diaspora of single women. In 1882 businessman Fred Harvey sought young rural women "of good character, attractive and intelligent" as waitresses in whistlestop cafés along the Santa Fe rail line. Harvey required that they remain single for a year, live in chaperoned dormitories, and entertain callers in "courting parlors." By the turn of the century, he had married off nearly 5,000 so-called Harvey Girls.

In the 1870s, 80s and 90’S, Matrimonial News, a San Francisco based matchmaking newspaper helped to make love connections between the single men of the West and the statistically disadvantaged, single women back East. For $1.50 a word, people could place classified ads describing themselves and what they wanted in a potential mate. The paper’s goal was to “promote honorable matrimonial engagements and true conjugal felicities for amiable men and women.” If a match resulted in a wedding, both parties were required to pay an additional fee to the newspaper.



Most ads were fairly direct. I haven’t seen a single ad that mentioned enjoying long walks on the beach, but plenty of them were quite open about wanting someone who wasn’t ugly and had a specified amount of money. (At $1.50 a word, it’s a wonder that some ads didn’t read, “Me want woman!”) Interested parties would correspond with each other and often not meet until they were about to head to the altar. It was quite the leap of faith.





I have a feeling "Seven Brides for Seven Brothers" was not historically accurate--though a great deal of fun!

What would drive a woman to accept such a proposal?  What recourse did she have if she changed her mind?

If you have any 'family stores', please share in the comments section of this blog.

Happy Reading,
Connie

Link to Amazon.com !




For additional information:
Luchetti, Cathy. "I Do!": Courtship, Love, and Marriage on the American Frontier: A Glimpse at America's Romantic Past through Photographs, Diaries, and Journals, 1715–1915. New York: Crown Trade Paperbacks, 1996.
Riley, Glenda. Building and Breaking Families in the American West. Albuquerque: University of New Mexico Press, 1996.

Wednesday, August 17, 2016

Cowboy Lingo by Connie Vines

When it comes to vocabulary, you could say the cowboy tends to have a rather colorful one. However, I've listed a few words he has retired (or perhaps never used much in the first place).
1. Lasso:
This is a word that was used in the early days of cattle ranching, but fell out of favor fairly early on. Unlike many cowboy words that originated from Spanish descent, this one came from the Portuguese word, “laco,” meaning “to snare.” With the exception of a few California stockmen who continued to use it, the word “lasso” was replaced with “rope” within a few short years of its introduction around the late 1800s to early 1900s. This fact makes the popularity of “lasso” among city slickers, especially journalists, in this day and age even more baffling. Bottom line, a rope is a rope. Acceptable variations include “lariat,” “lass rope” and “twine,” but never “lasso.”
2. Bucking Bronco: 
Another word that originated in the late 1800’s was “bronco,” derived from the Spanish word “potro bronco” meaning “untamed colt.” The “o” was quickly dropped and “bronc” is the word still used today. If you go to a rodeo, you will see two “bronc” riding events, bareback bronc riding and saddle bronc riding. However, if you hear just “bronc riding,” this is normally a reference to “saddle bronc riding,” whereas bareback bronc riding is simply known as “bareback riding.” Likewise, saddle bronc riders are referred to as “bronc riders” and bareback riders are known as such.  Just forget “bucking,”drop the “o” from bronco.



3. Chaps: 
This one is a little confusing. Most cowboy newbies pronounce the word “ch-aps” like “chapstick.” This is improper pronunciation of the word. It is actually pronounced “sh-aps.” As in, “Chantilly”.  And the short, knee or shin length chaps cowboys wear? Well, those are called “chinks,” pronounced exactly like you think it would be. 
4. Cowboy Up: 
Cowboys aren’t really much for following the crowd. If they were, they would be far less mysterious and cool. So, you may still hear this phrase tossed around occasionally, but likely more as a catchy story headline than a jolt of encouragement behind the bucking chutes.





5. Giddy-Up:
I looked this up in Webster’s online dictionary and it is actually a word, spelled giddyap. Meaning: to go ahead or go faster. Now, I have been around cowboys my whole entire life and I have never (not once) heard a cowboy say “giddy-up.” Although I am not sure what the precise origin of the word is, I have heard speculation that it may come from the draft horse driving command “gee up,” which means “go faster.” The only person I recall ever using is a parent sitting a toddler on a rocking horse.
For more cowboy speak, catch Pro-Rodeo interviews on ESPN.
Or, download one of my Rodeo Romance novels!
Click to link to Amazon.com!




Wednesday, May 11, 2016

Cowboys and the Wild Wild West by Connie Vines

I love my tech toys but I am also a history buff.


I thought I’d share some interesting findings.  Since I spent summers in Texas as a child, I had inside information.  The other snippets came from watching the History channel and reading a multitude of historical documents.  The information is in parentheses are my personal discoveries.

Feral camels once roamed the plains of Texas.

The U.S. Camel Corps was established in 1856 at Camp Verde, Texas. Reasoning that the arid southwest was a lot like the deserts of Egypt, the Army imported 66 camels from the Middle East. Despite the animals’ more objectionable qualities—they spat, regurgitated and defied orders—the experiment was generally deemed a success. (Camels can kick side-ways with all four feet.)  The Civil War curtailed the experiment and Confederates captured Camp Verde. After the war, most of the camels were sold (some to Ringling Brothers’ circus) and others escaped into the wild. The last reported sighting of a feral camel came out of Texas in 1941. Presumably, no lingering descendants of the Camel Corps’ members remain alive today.

Billy the Kid wasn’t left-handed.

A famous tintype photograph of Billy the Kid shows him with a gun belt on his left side. For years, the portrait fueled assumptions that the outlaw, born William Bonney, was left-handed. However, most tintype cameras produced a negative image that appeared positive once it was developed, meaning the  result was the reverse of reality. There’s another reason we know Billy the Kid was thus a right handed. His Winchester Model 1873 lever-action rifle--Winchester only made 1873s that load on the right.



The famed gunfight at the O.K. Corral wasn’t much of a shootout and didn’t take place at the O.K. Corral.

One of the most famous gunfights in history—the shootout between the three Earp brothers (Morgan, Virgil and Wyatt), Doc Holliday, Billy Claireborne, the two Clanton brothers (Billy and Ike) and the two McLaury brothers (Frank and Tom)—didn’t amount to time-frame often depicted on the Silver Screen. Despite the involvement of eight people, the gunfight only lasted about 30 seconds. Furthermore, the shootout didn’t take place within the O.K. Corral at all. Instead, all the shooting occurred near the current intersection of Third Street and Fremont Street in Tombstone, Arizona, which is behind the corral itself. (I have visited the area.  Tombstone is brutally hot in the summer. The incest large. ) Bloodshed made up for the brevity.  Three of the lawmen were injured and three of the cowboys killed.

The Long Branch Saloon of “Gunsmoke” fame really did exist in Dodge City

Anyone who watched the television show “Gunsmoke” is well acquainted with Miss Kitty’s Long Branch Saloon of Dodge City, Kansas. What viewers may not have realized is that the Long Branch really did exist. No one knows exactly what year it was established, but the original saloon burned down in the great Front Street fire of 1885. The saloon was later resurrected and now serves as a tourist attraction featuring a reproduction bar with live entertainment. According to the Boot Hill Museum, the original Long Branch Saloon served milk, tea, lemonade, sarsaparilla, alcohol and beer.

What did Cowboy really eat?

Cowboy food used a limited number of ingredients, partly because imported foods were expensive and partly because they needed food that kept well on the cattle trail. Coffee was an essential part of breakfast, which was large and high in fats and protein. Lunch was commonly beans, and dinner generally included something sweet like vinegar pie or apple dumplings. Because a large percentage of cowboys were of Mexican origin, spices and flavorings of that cuisine were popular.

Cowboys loved "mountain oysters," sliced and fried calf testicles. These were harvested in the spring when preadolescence bulls were castrated so they would be steers. (Served with horseradish sauce and are very tasty).


Thanks for stopping by,

Connie Vines










                                         Remember all of my novels are FREE this month!


Wednesday, April 13, 2016

Masculine Behavior for Believable Heroes (Part 3) by Connie Vines

Checklist for Masculine Characters

Be direct
Be issue orientated
Be analytical
Act casual even during a serious conversation
Interrupt
Make statements
Use short sentences
State his preferences
Verbalize only things he thinks is important
Give advice
Asks specific questions


He will not:

Ask a lot of questions
Ask leading questions
Turn statements into questions
Invite a ‘just talk’ situation
Speak in euphemisms
Use understatements
Downplay his idea
Let his sentence trail off
Volunteer his reasons
Hold eye contact for significant periods
Say, “I’m sorry” unless he really means it.
Tell stories about his failings
Get bogged down in introspection or self-doubt
Volunteer information about his feelings
Ask about others’ feelings
Ask for validation

I hope you have found this topic of masculine behavior for believable heroes informative.

Readers, what is your take on this topic?

Thank you for stopping by today.

Connie
A night at Medival Times,
Buena Park, CA





Wednesday, April 6, 2016

Masculine Behavior for Believable Heroes (Part 2) by Connie Vines

Thank you for stopping by for Part 2 of last week’s Dishin’ It Out topic.

Men Make Decisions; Women Form a Consensus

Even though this what I’ve learned in human behavior classes and characterization workshops—this doesn’t hold true for me.  (Perhaps it part of my upbringing in a career military family, or because I am the eldest of five siblings.)  If I state a reason, or decide to explain myself, it is only out of politeness--I’ve already made up my mind.

Now, back to what is typical behavior.

Men state what they want.  Women make their preferences known and often add reasons for their requests.  The reasons are an attempt to convince the other party.  Men do not volunteer reasons.
If you ask a reason, men feel as if they’re being challenged or that you are checking up on them.

And, the behavior guaranteed to make either one/or both of the people involved crazed:

Men Try to Solve Problems; Women Talk About Problems

(I deviate from this too, I do not have the patience to ‘talk something to death.)

Men usually make a decision, act, and move on.  Women usually wallow in the problem before or instead of acting.  Men try to help others solve problems.  Women want to talk about the problems but not necessarily solve them.

Women listen to others to give support; Men listen to others to give advice.

And, TADA, here’s the part that makes partners/friends crazed :-).  A woman who talks to a man expects to receive emotional support, and instead she gets advice.  Women talk to feel better.  This drives a man crazy, if she is that miserable, why doesn’t she do something about it?

Men are Direct; Woman are Indirect

Men tend to make statements.  Women tend to ask questions and even multiple questions.  Men use shorter sentences and fewer of them.  Women use longer sentences and sentences that are more complex and string more of them together.

Women make suggestions rather than state their wishes.

Men’s Actions and Body Language Often Don’t Reflect Their Feelings; Women’s Usually Do

Men are direct when talking about concrete things, but indirect when speaking about emotional issues.  When forced to discuss emotional issues. Men may attempt to distance themselves by avoiding eye contact, slouching, or turning away.

Men tend to sprawl out while talking, especially about a serious subject.  Women tend to gather in. Men sit in relaxed sprawled positions with men or in mixed groups.  Women sit in sprawled positions with other women but sit upright in mixed groups.

I'd like to go into a little more about body language next week.

Stop by next week for Part Three!

Happy Reading and Writing,



Connie



Wednesday, March 23, 2016

How Plotting and Pedicures Can Work for You by Connie Vines

We've all heard it said that writing is a solitary art.  Is that why we find ourselves creating such deep bonds with other writers who share our passion/obsession?  For whatever the reason, my closest friends are fellow writers.  In fact, we're not so much friends as soul mates caught up on a similar life journey.

While many of my writing friends are cyber friends, conference friends, and RWA Chapters friends, I am fortunate to have several local friends.  One of which I have know since my salad-days when I served on the board of the Pomona Valley Writers' Association.

Several years ago the three of us decided to take a brain-storming retreat in order to take our writing and careers a step further.  We also wanted to reward ourselves for hard-won accomplishments, to to celebrate our successes.

I kept a journal of what went on.  I can't say the structure (or lack there of) will work for every critique group, or circle of writing friends, but it worked for us.

Creating your own Writing Getaway.

  • Divide up the duties.  The location, schedule, food, and spa, All  require planning.  There were three of us.  We each emailed each other with update and choices.
  • Secure the location.  The room needs to be large enough but must also fit everyone's budget.
  • Rough-out a schedule.  One person should be a time keeper.  We worked in two-hour increments with breaks in between.  That way we could focus on one person's story.  This helped because discussions can become rather tense and we needed a break.
  • Parameters and Goals. Everyone should state what she/he needs to come away with.  There will be homework.  I plot using The Writer's Journey, Pam is a GMC devotee, and Bev is a seat-of -your-pants writer.  Of course there were empty spaces in our plots but we all had the Beginning, Middle, and End sort-of figured out.
  • Be honest--not brutal.  
  • Enjoy.  Life is all about the journey.
So were did we meet up?  Since we all live in southern California, we took a discount flight to San Francisco (an hour away) and stayed in a quaint little hotel down town.  We were able to walk a couple of miles to a cafe with great local fair (minus the tourist prices).  The next morning, hopped a cable car to the Fisherman's Wharf to gain some some plotting time while view the bay. 











Our weekend was the most rewarding getaway I've done for myself since I sold my first novel.  I recommend a retreat to anyone who can find the time.  You don't need to fly to get there.  Though I am not an enthusiastic camper, I can pitch a tent and unwillingly sleep on the ground.  Or, book a room at a local bed and breakfast during off season.



End result?  We each finished the plotting out our novels and had a good working knowledge of our characters quirks and goals.  And a deeper friendship too.

Happy Writing & Reading!

Connie  

The Franciscan--our final night in town.
Remember, I'm not a 'camping' kinda girl :-).








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