Hi-jacked – good
article – and great book about writing in the first person. J Rita
Blockbuster novelist David Morrell’s
expert view, the biggest con of writing in first person is that it traps us in
our own viewpoint (or our protagonist’s viewpoint). The reader can know only
what we know as we come to know it, see only what we see. This can limit the
means in which you can tell the story and have it still ring true for your
readers.
Another con: When we select the first person we’re tempted to
write as we speak. This can lead to undisciplined writing, potentially yielding
rambling or flat, one-dimensional prose.
The tradeoff, though, can be authenticity. “There is no such
thing as a third-person viewpoint in life,” Morrell explains. Which means you
might say first person POV is the most true-to-life perspective from which to
tell a story.
Another pro: First-person narrators can be unreliable narrators
(and often the best ones are), leaving what happened open to interpretation—and,
in the hands of a skilled writer, this can add amazing depth to a story, as
evidenced so expertly in the best known works of Mark Twain and J.D. Salinger.
Stories like theirs demand to be told in first person—in fact, Morrell points
out they could not be effectively told in any other way.
His key takeaway? Write in first-person only if you have a
compelling reason to.
Want to strenthen your character’s Point-Of-View? Consider:
The Power of Point of View: Make Your Story Come Alive by Alicia Rasley
The Power of Point of View: Make Your Story Come Alive by Alicia Rasley
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