Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Monday, July 29, 2019

Just A Taste - Ginger Simpson

Classic Monday from  Ginger Simpson
Joy Garrett is preparing to marry the man of her dreams and needs her birth certificate in
order to get a passport for her honeymoon. For some reason her mother wants to avoid the issue
and urges her to enjoy the good ol' USA. While pilfering in her mother's things in the attic, Joy
comes across a birth certificate, and although the date, hospital and doctor are a match with her,

the paper certifies someone else's birth... What secret is her mother keeping?

Excerpt:
Fresh from her shower, Joy Garrett stood naked in front of the mirror and fingered the inch-long
scar just below her navel. Surgery performed on her at ten months had left the jagged line.
She’d forgotten the reason her mother gave for the operation, but the obvious results, although
small, marred Joy’s otherwise flawless torso and irked her. Anyone who wanted to keep Scott
Porter on a short leash had to look their best.

Wrapped in terrycloth, she went into the bedroom. Her heart pounded with anticipation of
the evening ahead—her first cocktail party and introduction to Scott’s co-workers. She planned
to make this an evening he’d never forget.

She slipped into her matching black bra and thong and then removed her dress from the
hanger on the closet door. Thankfully, those dreadful panty hose of old and annoying slips were
passé these days. “The less the better,” Joy murmured.

The plastic bag, with the retail store’s name emblazoned across it, crackled as she slipped it
off of her slinky dress. Annoying static plastered it to her hand. She peeled the cloying
cellophane away, wadded it, and flung it into the trash. Visions of her luscious date ran through
her mind: dark hair, eyes bluer than the sky, tall…and those shoulders—broad enough to make
other guys envious.

“Scott Porter.” His name dripped from her tongue like water from melting ice as she
shimmied into her dress. Even though they’d been seeing one another for the past six months,
thoughts of him still turned her stomach fluttery. She hoped to marry him one day. Of course, her
dreams hinged on him asking.

She had one year left to complete her master’s degree and still lived at home. A part-time
job didn’t offer the luxury of an apartment. Sharing the rent with a roommate was an option, but
she was holding out for something better. She scanned her room, noting the floral drapes and
frilly bedspread, and then wondered what style Scott would prefer in the bedroom they’d share.
Yep, someday she’d be Joy Ann Porter if she had her way. She warmed at the thought of waking
up in Scott’s arms.

This and my other short stories are available at a discounted price in various downloadable formats at Muse It Up Publishing

Monday, December 7, 2015

How Much Fact to Put into Fiction by Roseanne Dowell



I know well-meaning friends often say - “You ought to write this down, it would make a great story.”   Well, actually, no it wouldn’t. I’m sure you’ve all heard the saying “fact is stranger than fiction” - well it is. If you’re writing nonfiction, fine go ahead and use the story about Uncle Joe getting stuck on the roof.  It was a comical incident and will make a great creative nonfiction story. However, for fiction the idea won’t make for a great story without some changes.   For the most part, it’ll come off as false. Readers just won’t believe it. Why?  Think about it.  Other than Science Fiction - which still has to be written as believable- when you read a story or novel, one of your first thoughts is –  can this  happen. It might be farfetched but it can happen.  Besides you, the author will be telling the story.  And we want to show our stories. 

Here’s our incident. Uncle Joe got stuck on the roof while hanging Christmas lights.   He put a ladder on the peak of the garage and when he went to get off the other peak he reached his foot out, the ladder slipped away.  He moved toward it and inched his way off the roof, reached his foot out and tried to snag the ladder. Again it slipped away. One more time and it slipped out of reach. By this time he was hanging by his elbows. . No one was in the house. It was cold and the roof was covered with snow. He looked around to see if a neighbor might have come out. Nothing – his arms were getting tired and he didn’t know what to do.  The only thing left was to jump.  He knew if he landed on his feet, they’d slip out from under him and he’d slide off the roof like a bullet.  He took a deep breath and let go. Thankfully he landed and didn’t slide.

If I were writing it for creative nonfiction, I’d embellish it, make it humorous. 

But, how do we create a story from this idea?  It almost sounds like an incident from National Lampoon’s Christmas Vacation or Grisham’s Skipping Christmas? How did they do it?  Some people need to plot out the idea on paper, which is fine. I wish I could do that.  But, I’m one of those writers that just start writing.  Oh I’ll jot down some ideas and know where I want to go, but in the beginning I usually have no idea how to get there.  I know the beginning and the end. What happens in the middle is as much a surprise for me as it is for the reader. And that works for me.  Whatever works for you is fine.

Okay, we have the idea.   A man is stuck on a roof.  He doesn’t have to be putting up Christmas lights. He could be up there for a variety of reasons.  Maybe they had a leak and it was raining cats and dogs.

One of the first things, even for me, is to create the plot.  I start, of course, with my characters name, age and appearance. Okay let’s call our guy, Charlie. He’s middle-aged, slightly balding, but tall and muscular. Next I ask why Charlie was on the roof.

Once I have my characters, I develop my idea.  First question:  What genre’ am I writing?  This is where we start asking the questions, what happened, how did it happen, etc.  If I’m writing mystery I have to decide is it a murder mystery?  Who gets killed, where and why?

Hmm - maybe someone moved the ladder. And maybe Charlie makes it down but he knows someone is trying to kill him.

 If Charlie is the intended victim we’ll need a potential killer.  

Once we know the where and why, we need to know if the murder is going to happen in the book, or behind the scenes.  In other words has the murder been committed when we come on the scene or are we going to show our readers the murder.   In this case it’s an attempted murder because Charlie isn’t dead.

Then we need to know how our main character is going to solve the crime.  We need some clues, usually not ones the reader will pick up on right away, but clues that at the end of the story they’ll hit their foreheads and say “Oh I should have known.”

Do you see how we took a real life incident and changed it into something totally different? Sure we could have written humor like National Lampoon, but why stop there.  Explore different avenues. You could take the same incident and change it into a romance or fantasy. Maybe even Science Fiction.  I don’t write that either so I’m not going try to explain that. But who knows maybe while Charlie is repairing the roof, men from mars kidnap him.   Let your imagination run wild. 



Blurb and Excerpt for Entangled Minds
Visions of someone’s life disturb Rebecca Brennan’s dreams. The dreams become dangerous and she’s determined to find who shares her mind. Her search leads her to a
small town and puts her life in danger too.

Excerpt:
The next morning Rebecca, once again, sat in Bernard Clark’s office. Something about the heavy-set, middle-aged man with salt and pepper hair and scruffy beard reminded her of her grandfather. As usual, he listened to her story with a serious expression.
Was this really helping? How many hours had she spent sitting across from the mammoth mahogany desk, staring at the book-lined shelves behind him? And so far, she didn’t know anything more than before. Once more, that’s it. If nothing changed today, she’d quit coming. Maybe he was a quack, like her brother said. Rebecca took a breath and relaxed in the comfortable atmosphere, inhaled the smell of new leather that clung to the chair, and leaned back. Okay, maybe she did have a deep extra sensory perception connection with someone like Bernard said. The question was with whom. 
“I think you need to find this person,” Dr. Clark suggested. “It’s possible the physic mind is reaching out to you for help.”
"How?" That’s why she was here. If he didn’t help her figure it out, that was it. No more visits. Besides, it cost money, and who could afford it? If Allison hadn’t agreed to pay half, well that was another story. Dr. Bernard’s voice brought her back.
“Start with the dreams,” he suggested. “Tell me about them again.”
“I see scenes with emergency vehicles. Last night someone got shot," she told him for what seemed like the hundredth time. "I wonder if he has something to do with law enforcement or other emergency operations. I'd recognize the town if I ever saw it in person. It’s so vivid in my mind."
"Would you consider hypnotism?" Bernard fingered his beard. Intense blue eyes stared into hers. "Maybe your sub conscious mind will reveal the place, or person, or something to help you find it."
Leary about being hypnotized, but desperate to find who shared her mind, Rebecca agreed.
Under her hypnotic trance, she revealed the name of a shoe factory. A place called Booth’s Boots, and she repeated the name, Morris, over and over.

"It’s not much to go on," Rebecca told Allison later,” but it’s more than I knew before. Maybe Morris is my mind connection."
Encouraged by the information, she spent the better part of the day doing research. Using the Internet, Rebecca keyed in Booth’s Boots. Instantly, several websites popped up.
“Okay, let’s check out Boothsboots.com.”
A website, showing various types of boots from hunting to work boots, popped up.
“This is great. Let’s see what this says.” She clicked on News and Events. “No help there. Okay, let’s try Outlet Stores.” She almost jumped out of her chair. “There it is!” A factory, located in Morrisville, Ohio.
“Morrisville, could that explain the name Morris?” A prickly sensation went up her spine. She was getting close; she could feel it.
“Okay, let’s try this.” Rebecca didn’t care she was talking to herself. Besides, it wasn’t the first time. Keying Morrisville into the search engine, she held her breath, more determined than ever to find the town. If it took all day, then so be it.  A site popped up with several suggestions. “Okay, let’s see what this one is about.”  Morrisville.net homepage popped up, and further down the page, it showed–Pictures taken around Morrisville.
She held her breath and clicked on one. The first picture that came up was a log cabin. No help there. “Okay, how about this one? The Square. ” It looked familiar. Shivers ran up her spine. “Okay, how about Hotel Darby. Yes! I’ve seen this place.” One more. She drew in her breath and clicked on Victorian.
“Oh my God, that’s it! That’s the house.” She almost jumped out of her seat. The Queen Anne house in her dreams showed on the screen big as life.  Where is this place?  Clicking back to the homepage, she found it on the map. “Not far from Wattsburg; only a three hour drive from here. I have to go there.”
"Allie." Rebecca phoned her friend. "I found it, I searched the net, and I found it. Even pictures of the town. I recognized all the buildings right down to the house."
"Calm down…"
"I have to go there. It’s only a three hour drive." Not waiting for Allison’s response, Rebecca continued. "I have to find out who I’m connected with."
"What are you going to do?" Allison asked. “Walk into the little town and say hey, someone here is connected to my mind."
Rebecca laughed at her friend’s wit. “I have a plan. First I’ll go to the newspaper office and check for stories about someone being shot on Friday. Then I’ll try to find out where he is. I’m sure he’s alive.” Her intuition told her danger still lingered, but she couldn’t explain that to her friend.
"Maybe it’s a she," Allison said. "What makes you say he?"
"I don’t know." Rebecca paced the living room. "It’s just a feeling I have. It doesn’t matter; whoever it is, I have to go." Okay, it was a crazy scheme, but feelings like this couldn’t be ignored. “There’s no turning back now, Al, I have to find him.”
“Would you like me to go with you?”
 "I have to do this myself.”
“I don’t like this, Beck. You shouldn’t be doing this alone. What if it’s dangerous? I mean you see cop cars and stuff. What if he’s a criminal?”
Rebecca shivered. God, what if he was a criminal? No, something told her that wasn’t the case. Call it a gut feeling or intuition, whatever it was, Rebecca would bet her life he wasn’t a criminal.
“I’m sorry, Al. Thanks for the offer, but no. I have to do this on my own. I’ll be fine. Really.”




Sunday, May 10, 2015

Sunday Snippets with Ginger Simpson #Sundaysnips

I'm sorry I'm late in getting this up, but this week has been hectic with unpacking moving boxes ad naseum, and trying to get settled. I've still got a long way to go, but I just realized I hadn't scheduled my post...so here are six paragraphs from my WIP - Deceived.  This is the follow-up to Betrayed, which is based on a true story.

“I’ll have the ribeye, medium well, with a baked potato and salad with ranch.”  Cassie closed her menu and smiled up at the waitress.

“I’ll have the same, but make my steak rare.”  Will’s gaze didn’t leave Cassie’s face.

The waitress walked away with a promise to return with their salads and bread.  Cassie’s stomach rumbled.  She hadn’t eaten all day and recollections of the plump yeast rolls from Huckleberry’s made her mouth water.  Will’s constant assessment of her made her uneasy and she glanced around the filled restaurant, noting the myriad of diverse patrons rather than maintain eye contact with him.

“You are so beautiful.”  His voice pulled her attention back to him.

“Oh, please.  I have mirrors in my house.  You know what ‘they’ say about the old gray mare?”

“Okay, then let me rephrase that.  I think you’re beautiful.”

Now "hop" on over to the following blogs and see what surprises are in store for you there:

http://www.jamiehill.biz/ (Jamie Hill)


Oh, and Happy Mother's Day!

Tuesday, February 10, 2015

Believe it or Not! - Ginger Simpson

Ever have a question that you can't answer?  I do, and I'm hoping I get some answers today.

Why is it that those of us who write fiction held to believable standards when most television programs aren't?

I site a soap opera I've watched for years, General Hospital.  Examples:  Several of the main characters are in prison, and after being a correctional officer for a period of time, I'm amazed how they wander from cell to cell with nary a guard in sight.  Even more brazen, they seem to have smuggled in cell phones which no one seems to notice, though they make personal phone calls in the rec. yard and in their cells.  Where are the security cameras?  *lol*

Even more amazing, people seem to be held prisoner or get locked in basements, etc, yet never seem to have to use the bathroom.  For someone who can't venture far from mine these days, makes me wonder how they develop such bladder and bowel restraint.  *lol*

My dilemma doesn't just apply to my favorite soap...it's a fact in many tv programs.  If you're looking for believability, you aren't likely to find a lot of it.  Why then, do those who write contemporary fiction get held to higher standards and are more likely to get bad reviews than bad TV programming?

What ridculous things have you noticed on TV recently?


Monday, October 6, 2014

THE 5 ESSENTIAL STORY INGREDIENTS BY STEVEN JAMES

For my next three blogs I’m hi-jacking The 5 Essential Story Ingredients written by Steven James.  It’s so well written I saved it – and because it’s great information - I want to share it with you.  J  Rita
Imagine that I’m telling you about my day and I say, “I woke up. I ate breakfast. I left for work.”

Is that a story? After all, it has a protagonist who makes choices that lead to a natural progression of events, it contains three acts and it has a beginning, a middle and an end—and that’s what makes something a story, right?

Well, actually, no.  It’s not.

My description of what I did this morning—while it may meet those commonly accepted criteria—contains no crisis, no struggle, no discovery, no transformation in the life of the main character. It’s a report, but it’s not a story.

Over the years as I’ve taught at writing conferences around the world, you should see some of the looks I’ve gotten when I tell people to stop thinking of a story in terms of its structure. And it’s easy to understand why. Spend enough time with writers or English teachers and you’ll hear the dictum that a story is something that has a beginning, middle and end. I know that the people who share this definition mean well, but it’s really not a very helpful one for storytellers. After all, a description of a pickle has a beginning, a middle, and an end, but it’s not a story. The sentence, “Preheat the oven to 450 degrees,” has those basic elements, but it’s not a story either.
So then, what is a story?

Centuries ago, Aristotle noted in his book Poetics that while a story does have a beginning, a middle and an ending, the beginning is not simply the first event in a series of three, but rather the emotionally engaging originating event. The middle is the natural and causally related consequence, and the end is the inevitable conclusive event.

In other words, stories have an origination, an escalation of conflict, and a resolution.

Of course, stories also need a vulnerable character, a setting that’s integral to the narrative, meaningful choices that determine the outcome of the story, and reader empathy. But at its most basic level, a story is a transformation unveiled—either the transformation of a situation or, most commonly, the transformation of a character.

Simply put, you do not have a story until something goes wrong.

At its heart, a story is about a person dealing with tension, and tension is created by unfulfilled desire. Without forces of antagonism, without setbacks, without a crisis event that initiates the action, you have no story. The secret, then, to writing a story that draws readers in and keeps them turning pages is not to make more and more things happen to a character, and especially not to follow some preordained plot formula or novel-writing template. Instead, the key to writing better stories is to focus on creating more and more tension as your story unfolds.

Understanding the fundamentals at the heart of all good stories will help you tell your own stories better—and sell more of them, too. Imagine you’re baking a cake. You mix together certain ingredients in a specific order and end up with a product that is uniquely different than any individual ingredient. In the process of mixing and then baking the cake, these ingredients are transformed into something delicious.

That’s what you’re trying to do when you back up a story.

So let’s look at five essential story ingredients, and then review how to mix them together to make your story so good readers will ask for seconds.

Ingredient #1: Orientation - The beginning of a story must grab the reader’s attention, orient her to the setting, mood and tone of the story, and introduce her to a protagonist she will care about, even worry about, and emotionally invest time and attention into. If readers don’t care about your protagonist, they won’t care about your story, either.

So, what’s the best way to introduce this all-important character? In essence, you want to set reader expectations and reveal a portrait of the main character by giving readers a glimpse of her normal life. If your protagonist is a detective, we want to see him at a crime scene. If you’re writing romance, we want to see normal life for the young woman who’s searching for love. Whatever portrait you draw of your character’s life, keep in mind that it will also serve as a promise to your readers of the transformation that this character will undergo as the story progresses.

For example, if you introduce us to your main character, Frank, the happily married man next door, readers instinctively know that Frank’s idyllic life is about to be turned upside down—most likely by the death of either his spouse or his marriage. Something will soon rock the boat and he will be altered forever. Because when we read about harmony at the start of a story, it’s a promise that discord is about to come. Readers expect this.

Please note that normal life doesn’t mean pain-free life. The story might begin while your protagonist is depressed, hopeless, grieving or trapped in a sinking submarine. Such circumstances could be what’s typical for your character at this moment. When that happens, it’s usually another crisis (whether internal or external) that will serve to kick-start the story. Which brings us to the second ingredient.

Tuesday, April 29, 2014

Meet Carrie Lang from First Degree Innocence

Hi There.  My name is Carrie Lang and my story isn't exactly what you might expect.  I was sentenced to ten years in prison for a crime I truly didn't commit.  You may be sitting in your house, thinking you're safe and sound, just like I was the day I called in sick, but a bank camera caught a fuzzy picture of a car identical to mine and a shadowed face, and that's all it took to convict me.  No one cared that I screamed I didn't do it. In record time, I was hauled out of my house, handcuffed, finger-printed, tried, and convicted.  Boy, how my life changed.

I've always been kind of a loner.  My mother passed away and my dad left us a long time ago.  I didn't even know where he was until he showed up one visiting day.  He has a whole new family and life, so I don't know why he wanted to butt into mine after all these years. He must have a reason.

  I suppose some could also call me naive.  Like I said, I stayed to myself, went to my job, and then came home. Until I went to prison, I didn't know much about the world, but let me tell you being incarcerated is a real eye opener.  Even though I stayed in my apartment most of the time, I still enjoyed freedoms taken from me here.  No pillows, no choice of clothing, no TV whenever you want it, and only a few hours a week in the rec. room.  Believe me, it's not fun.

People talk about bullies. It's no different on the outside than on the inside.  Jet is the plague here.  She runs the joint, and even the matrons seem to turn a blind eye to anything she does wrong.  For some reason, she has her eye on me, and she doesn't like that I've found a friend in my cellie.  I have to do something to get away from her, so I'm hoping I get picked to work on the garden brigade.  At least I'll have a few hours of free time and fresh air.  The smell of this place is horrid.  Imagine bleach, sweat, blood, and pee mixed together.  Not a very refreshing scent.

Most of the female guards here a just plain mean, but there is one male officer who's been very attentive.  I know he could really get into trouble if he's even seen talking to me, but for some reason, we've connected, and I think he may be the only one who believes my story.  If I get picked for garden duty, maybe I'll get a chance to talk a little more to him since he's the person in charge.  Wish me luck!

What the heck?   Now Jet wants to involve me in some stupid plot to get even with someone.  Why me, oh Lord.

First Degree Innocence available on my Amazon Author's Page.


Sunday, November 24, 2013

Just a Taste by Ginger Simpson

I've decided to try to fill some of my empty slots and the best way I an do that is try to convince you how interesting some of my "backlist" titles are.  I wrote Hope Springs Eternal from the perspective of an older woman..  I was sick of the young, svelte heroines getting all the attention and decided someone who lost her husband about the time she looked forward to retirement should share the spotlight.

Here's "just a taste" that I hope will whet your appetite:


Hope’s high heels clicked against the tile floor and reverberated in the emptiness as she hurried down the medical clinic’s long corridor. She glanced at her watch and grimaced. Great! Late for her appointment with her new doctor. Some first impression she’d make. The thought brought an immediate chuckle. Silly her for thinking doctors ever sat and waited for their patients.

Her moment of glee faded and her palms dampened at the prospect of the ritualistic feminine torture called an exam. On the menu today loomed the dreaded mammogram. That test had to have been developed by a man with a genuine hatred for women. Another female would never think of putting a ‘sister’ through such agony. She clasped her breast in anticipation and grimaced. If only she was on a beach in Hawaii instead of feeling like she was on her way to the gallows.

A slight pause before entering Dr. Carlson’s suite helped fortify her for the coming trial. It seemed odd to see an unfamiliar name on the wall plaque, especially since she’d been a patient of Dr. Daniel Smith’s for so many years. She blinked back tears, feeling she’d lost an old friend.

After a deep breath, she turned the knob and stopped in the doorway to gaze at the packed waiting area. All eyes turned to inspect her, sending a warming flush up her neck. With a forced smile, she crossed the ecru carpeting, wrote her name on the check-in list, and searched for an empty seat. The only remaining one was in the far corner next to the water cooler. Convenient, since the long walk from the parking lot left her feeling parched.

Hope traversed the room, avoiding the crossed and puffy feet clogging the aisle. It appeared she was the only person there who wasn’t pregnant… and clearly the oldest. Why didn’t OB/GYN doctors have separate waiting rooms? She felt like the lone spotted pup in a litter of black ones, only not quite so cute.

Rather than leave her chair, she stretched across the armrest to fill a cup. The water soothed her dry throat but did little to quell the nervous feeling in her stomach. Despite being familiar with the process, it still made her queasy. She glanced at the door and took the last sip of water, fighting the urge to leave.

Her gaze searched for and found the trash receptacle about six feet away. Not eager to become the object of unwanted stares again, or lose her seat, she wadded the pleated paper into a ball and risked a rim shot at the can. Luckily, the cup teetered on the wastebasket’s edge then fell inside. Another woman watched from the other side of the room. Hope shrugged her shoulders and flashed a childlike grin, then sheepishly picked up a magazine. While she absentmindedly thumbed through the pages, her gaze wandered to the swollen belly of the young lady next to her.

A pang of sadness stabbed at Hope’s heart. The girl probably had a husband…and a home that would soon hold a complete family. Thoughts of Alan, her beloved husband taken three years ago in an automobile accident, blurred Hope’s eyes. Although she’d prayed for children for years, they’d never been able to conceive. Evidently God hadn’t heard her pleas.

At forty-nine and a widow, the parent ship sailed long ago. The only baby in her life was Chloe, her Maltese puppy. She blew an upward stream of air to dry her eyes then surveyed the crowd. Opening the magazine again, she settled in for a long wait.

The reception window opened with a squeal reminiscent of fingernails on a blackboard. She shivered and flashed back to grammar school—an amazing recollection given the time passed.

Hope Harrison?” the woman behind the counter called.

Hope went to the window. “That’s me.”

The gray-haired receptionist handed her a clipboard. “I need you to fill this out. Since you’re a new patient, we need to update your file.”

But…but I’m not new, the doctor is.”

The elder woman clearly forced an impatient smile. “Well, dear, you’re new to the doctor, so please…”

Hope accepted the form and turned in time to see someone claiming her seat. Her feet hurt from being stuffed into pretentious shoes she never should have worn, and now she had no place to sit.

She glanced around the room, counting patients. How many did this doctor see in a day? The wait would take forever. Maybe she should reschedule. There! She’d found the reason she needed. Stacks of tapes at home were in need of transcription. Just as she convinced herself to take flight, a nurse appeared in the doorway and summoned her.

Hope’s eyes widened. How could that be? She’d been one of the last to arrive. She waved the clipboard at the woman. “But, I haven’t completed my form yet.”

That’s okay. Follow me and you can finish in the exam room.”

They stopped first at the scale. Hope grimaced, but stepped on and closed her eyes. Her efforts to remain in the dark were for naught when the nurse announced her weight for all to hear. Hope’s cheeks warmed, but at least she knew why her clothes felt a little tighter. She’d gained fifteen pounds since last time she’d stepped on a scale. When had that been?

The nurse motioned toward an open door.

Hope sat in the lone chair and completed her paperwork. Her eyes occasionally wandered to the draped table and waiting stirrups; dread gnawed at her. She still had time to leave. But, with a deep breath, she squared her shoulders. Fleeing was a preferable choice, not an option. It wasn’t like she was the only woman in the world who endured this torture. Besides, what could be worse than finding out she didn’t weigh one-twenty-five anymore? She’d weighed that since her wedding. Visions of Jenny Craig and NutriSystem flashed through her mind.

Be brave,” the little angel on her right shoulder whispered in her ear. She turned a deaf ear to the little devil on her left shoulder who encouraged her to run like the wind.
*******
If this had made you want to read more....you can find Hope Springs Eternal on my Amazon author's page.   It's also featured at Eternal Press.

Friday, November 22, 2013

Welcome Tony-Paul de Vissage

The Aventurieri:  More than Human, More than Vampire

At last, I’ve got a series…about vampires…and I’m going to give you the facts…just the fact, ma’am…

The Premise:  Humans call them vampires; they call themselves aventurieri.  They have their own feudal-based government and laws more stringent than their human brothers, based on a much harsher religion.  They do not kill humans for their blood but have a retinue of servants who supply them in exchange for their protection and care.  Faithful retainers are rewarded with enthrallment which bestows upon them an elongated life span.  Their religion has given them a Prince --the Domnitor--to rule over them, and the myth of a one-eyed king who will deliver his people from the tyranny of their ruler while betraying them to the world of humans.  They fear humans and even those who live in the outside world do so in disguise and caution.  They also have their feuds, romances, insecurities, and secrets.

The Settings:  Carpathius in the Decebral Valley, within the crags of the Carpathian Mountains of Transylvania, Romania; Europe: Vienna, Austria and Paris, France

The Time:  1794-1810

The Story:  The Shadow Lord focuses on one family--the Strigoi--and its leader, the Prince's assassin--the taietor--sent to execute those who break the Principiu, laws handed down from the gods.  This act will result in the murder of the Taietor and his retinue, and send his eldest son on a journey of revenge and self-discovery.  With his younger brothers and sister, Marek Strigoi is banished from Carpathiusm traveling to Vienna and on to Paris, seeking his father's murderer.  He will discover love and a long-hidden family secret, and eventually the strength to accept the fate the gods have chosen for him.

In the midst of this turmoil, a romance blossoms for the still-naïve Marek, his first true love which will stay with him through the centuries,


EXCERPT:

Commanding them to partake of all that was offered, he climbed the dais to his own seat.
The girl was sitting on a stool at the head table.  As Marek slid into his chair, she stiffened and turned to face him.
Gods, she looks terrified.  Must be her first outing.
He smiled to put her at ease, "Good evening, Nurliu," using that little affectionate because she was the prettiest female he'd seen in a very long time.  He placed his forefinger under her chin, tilting her head slightly.
She relaxed just a little, smiling timidly.  "Good evening, Your Lordship."
Marek leaned forward to kiss her.  She started to pull away, then forced herself to be still.  
The next moment, he nearly recoiled as her fresh, unsullied scent flowed over him.  What the Hell--?  Taking her in his arms, he pressed a kiss against her bared shoulder, inhaling deeply the delicate female fragrance of her skin.
"You're human," he whispered the words into her ear so no one else could hear.   "How'd you get here?"
Releasing her, he leaned back to look into her eyes.  He was startled to see that they were a blue, so pale as to be almost colorless.  How could those fool soldiers see those and her red hair and think her one of us? No aventurieri had eyes that color.
"I-I'm the kitchen maid for Madame Lubos." She avoided his gaze.  "I heard her girls talking about what they would be paid for tonight, and I-I wanted the money!"
"You'll have to earn it," he told her solemnly, already envisioning her naked in his bed and surprising himself with the thought.
Her chin went up, though it trembled slightly.  "I'm quite prepared to do that, my Lord!"
"Good!"  Marek turned away, seizing the leg of a roasted bird on the platter before him and wrenching it free of the carcase.   "You'll get your chance soon enough!"
He bit into the drumstick, hearing a slight gasp behind him.  
He swallowed and looked at her, asking sardonically, "You didn't know we ate food, also?  Did you think the meals you prepared were just for Madame Lubos' human customers?"
Pulling a silver of meat from the bone, he offered it to her, and after the slightest hesitation, she opened her mouth, allowing him to place it on her tongue.
Chewing daintily, she swallowed and ate the second piece he held out also.  She selected a pitted cherry from a bowl of fruit next to the fowl, but as she started to eat it, Marek caught her wrist, bringing it toward his mouth.
"I have a particular weakness for cherries."  He bit the little fruit off the stem and released her hand, wondering why she blushed so.
In spite of that, she smiled a little easier and picked up another cherry, rubbing it across his lips and smearing them with juice.  He ate that one, too, and for several minutes, was content to sit there and eat the fruit from her hand.  Her fingers became stained and he licked the juice off them, his tongue lingering against her fingertips.
When he kissed her again, he could taste her own sweetness under the flavor of the cherry juice.


The Shadow Lord is the first in the Second Species series, published by Double Dragon Publishing (Canada).

                   http://youtu.be/7aXa6nYenbY




Friday, November 15, 2013

Charlene Raddon's Cover and Release Reveal

THE WRONG MAN
Deserted by her father at the tender age of seven, Jenna Leigh-Whittington had taught herself to ride, shoot, brawl…and steer clear of the opposite sex. But now, in a lonely Utah canyon, the Pinkerton agent has drawn her gun on a rugged stranger—only to discover that, far from the dangerous outlaw she’d been tracking, he is Branch McCauley, hired gun…and the most irresistible rascal ever to tempt and torment a woman!
THE RIGHT WOMAN
If there’s one thing McCauley trusts less than a female, it’s a female who packs a six-gun. But what a woman! Vowing to bring the sensuous hellcat to heel, McCauley has no inkling that their passionate battle of wills has just begun. Taming Jenna will be the most seductive—and satisfying—job he’s ever taken on.


TAMING JENNA EXCERPT 1

Jenna scowled as she studied the man by the flickering glare of his campfire. He had the right build and appeared close to thirty, Mendoza's age. But something didn't fit.
The Denver police chief had described her quarry as a spoiled aristocrat, too busy wooing Lady Luck and every other female to be much of a train robber, let alone a killer. But the rogue in front of Jenna looked too lean and hard to be spoiled, too wary and aloof to be a ladies' man.
To Jenna he seemed the perfect gunslinger: cold, tough, and ready to spring. Like a big yellow cougar perched on a ledge. Or a rattler, tightly coiled. Either way, his bite would be deadly.
In spite of the cool night breeze, sweat oozed from her pores. She couldn't forget that lightning draw. Why had she come here? How had she expected to take an outlaw Pinkerton's other agents had failed to bring in? No, she refused to think that way. She was every bit as capable as any man to capture Mendoza. She had to believe that, the same way she had to do what she'd set out to do. Only one question remained: Was this Mendoza or not?
"Who are you, mister?"
"Who am I? Hell, who are you? "
Blast! Did no male exist in this empty wilderness who wasn't so taken with himself that he couldn't cooperate for a change?
She took a calming breath. A body could catch more flies with honey than vinegar, old Charley Long Bow used to say. Jenna figured flies might fancy the hairy creature facing her, so she decided to try being friendly. "Listen, I smelled your coffee and hoped you might spare a cup, is all. You can understand me being a mite leery of walking into a stranger's camp without knowing who I'm hooking up with."
Firelight glinted on the man's straight white teeth as his whiskers parted in a cold smile. "Don't recall inviting company, but I'll play your game. Name's Branch McCauley. Now it's your turn."
His smile unnerved her. It held no humor, only a lethal sort of grimness that cannoned her stomach into her throat and made her wish she'd wired William Pinkerton for instructions instead of going off half-cocked this way. "I'm Jim...Jim White," she lied.
"All right, Jim, how about some honesty? You come here looking for me?"
"I'm not looking for anyone named Branch McCauley. If that's who you are, you've nothing to worry about." 
The wide, innocent eyes McCauley studied held honesty. He relaxed. "In that case...be glad to pour you some coffee." He reached for the battered graniteware pot. His visitor's next words froze him in a half-stoop: "I'd feel more welcome if you'd set aside your gun first."
Cool as Montana sleet, McCauley straightened, hand poised above his holster. "Reckon you would. Wouldn't do much for my sense of well-being, though."
So much for trying to be friendly, Jenna thought. What now? She clenched her knees together to still their shaking and swallowed the fear knotted in her throat.
"Look." McCauley shifted his weight to one leg. "Why don't you put your gun away and have a sit? Could be I might know something about the hombre you're hunting.
Hombre. Sounded Spanish. Like Mendoza. It must be him. She had to get his gun away from him. Surprise seemed the best means. She squeezed the trigger of the .44 Starr. The bullet kicked dirt onto the man's scuffed boots. He jumped and let out a yelp as though she'd set his feet afire.
"Dammit, kid, going up against me won't get you anything but a six-foot hole in the ground."
"Shut up and toss over your gun or I'll turn them boots into sieves. 'Course, my sights might be a bit off." She raised the muzzle toward his groin.
"You made your point," he growled as he unbuckled his gun belt and tossed it over.
Instead of the fancy weapon she had expected a gunslinger to own, an ordinary, six-gun lay at her feet. No ivory handle or engraved barrel. Only an ordinary .44 Peacemaker, crafted and worn for one reason—to kill. The thought did funny things to her innards.
"All right," she said, getting back to business. "You aren't going to like this, mister, but I don't know any other way to be sure who you are. Drop them trousers to your ankles."
"Do what?"


Charlene Raddon began her fiction career in the third grade when she announced in Show & Tell that a baby sister she never had was killed by a black widow spider. She often penned stories featuring mistreated young girls whose mother accused of crimes her sister had actually committed. Her first serious attempt at writing fiction came in 1980 when she woke up from a vivid dream that compelled her to drag out a portable typewriter and begin writing. She’s been at it ever since. An early love for romance novels and the Wild West led her to choose the historical romance genre but she also writes contemporary romance. At present, she has five books published in paperback by Kensington Books (one under the pseudonym Rachel Summers), and four eBooks published by Tirgearr Publishing.  
Charlene’s awards include: RWA Golden Heart Finalist, Romantic Times Reviewer’s Choice Award Nomination, Affair de Coeur Magazine Reader/Writer Poll for Best Historical of the Year. Her books have won or place in several contests.
Currently, Charlene is working on her next release. 
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Sunday, November 10, 2013

Just A Taste - Ginger Simpson

Are you taste buds hungering for a western?  Well, I happen to have just the story for you.  Odessa, my historical western romance set in Arizona.  I love the opening, so I'm going to hope to reel you in with "just a taste."

Arizona Territory 1880

Chapter One

Odessa Clay struggled to lift the overturned wagon off her father. Her muscles burned and splinters dug into her palms, but Papa’s ashen face and eyes squinting with pain inspired her determination. She bit her bottom lip and struggled to stay calm.

God, please help me,” she muttered through clenched teeth, as she pushed, shoved, and lifted with every ounce of strength she had left. The veins in the backs of her hands bulged, but the wagon didn’t budge. At one hundred pounds and barely five feet tall, she proved no match for solid wood. Her chest heaved and each breath took effort. She brushed sweat-dampened hair from her brow and knelt. All her struggling had only succeeded in setting the left rear wheel into a slow spin and creating an eerie whirring in the silence.

Hold on, Papa. I’ll find some way to help you.”   Her nails bit into her fisted palms.

His pale features contorted, and fear clutched her heart. She rose and stared up and down the trail. Nothing stirred except the hot wind that whipped her long hair into tangles and sent a dust funnel swirling in the distance.

Turning her attention back to her father, she again attempted to lift the wagon’s cumbersome weight and failed.

Can anyone hear me,” she screamed, searching the trail again.

The dirt unfurled like a brown ribbon between the expanse of cactus and sagebrush. Odessa, refusing to let her father see her hopelessness, blinked back tears.

Anger heated her blood. This was all her fault. First her mother died giving birth, and now her father was dying because of her. He wanted her to have a woman’s influence in her life—have more opportunities. Their trip had gone smoothly until Papa whipped the horses to a faster pace to combat the heat—stir a breeze where none existed. The same wheel that spun now had been the one that slipped into a ragged rut and tipped the wagon over. She’d jumped clear, but her father remained pinned beneath the sideboard from the waist down. The accident snapped the harness rigging, and the animals ran off. What she wouldn’t give for one to wander back right now.

She rushed to the other side and pulled with all her might on the front wheel. Praying for strength, she gritted her teeth and tugged until splinters from the prickly-wooded spoke tore into her flesh. There was nothing she could do. The wagon wouldn’t shift.

Something stung above her left eye and she swiped her knuckles across the spot. Blood mixed with the dirt on her hand and created rust-colored mud. She wiped the stain on her sleeve and scanned the area for something to use for leverage. Her father had often lifted things by using a piece of wood or a log from a fallen tree. She hitched up her skirt and traipsed through sparse knee-high growth, praying to find something—anything. 

Stay with me, Papa, I’m looking.” She cast another hopeful glance at the trail. Still no one in sight. Why had they decided to make this wretched trip to Phoenix? Just because Aunt Susan lived there? Odessa’s stomach churned with fear and her mind spun in a hundred directions. What if she couldn’t get Papa out?

She spied nothing but rocks, boulders and a broken saguaro limb too rotten to use. Her shoulders sagged as she returned empty handed to the wagon. Her father’s face appeared even more ashen and his breathing ragged. A scarlet pool colored the dirt beneath him. She hunkered beside him and took his hand. Why had God let this happen?

Before she found her voice, his eyes fluttered open. “Don’t fret, Dessie. I’m not afraid to die. Your Ma is waiting for me.”  His weak voice faded into a cough then his face puckered into a grimace. He licked his lips.

Do you want water, Papa?” She swiveled to fetch the canteen, but he grabbed her arm.

No.” He took a shallow breath. “I’m worried about you, darlin'. Find your Aunt Susan and let her know what happened. She’ll take care of you.” He moaned and swallowed hard. “All I know is she’s somewhere close to Phoenix. Tell her I’m sor….

Odessa squeezed his hand. “Don’t leave me, Papa.” 

His hand slackened in hers, and a final breath escaped his already blue lips. She remembered the distinct death rattle from when her grandmother passed away a few months back. Odessa collapsed across her father and wept. The day started out with such excitement, and now she’d become an orphan. Being alone in the middle of nowhere magnified the pain of her loss. Was she destined to die too?

She sat up and gazed through blurred eyes at her father’s face. Her chest ached as though someone embedded a knife within her heart. If not for the smudges of blood and dirt on Papa’s cheeks, he almost appeared to be sleeping. In a way he was. The eternal sleep of the angels. She splayed her fingers through his hair and sobbed. “Please wake up. I don’t want to be alone.”

Numb and disbelieving, she stared into space. Her thoughts drifted back to the conversation she’d had with Papa about this trip. His deep voice still rang as clear as a bell in her mind.

Dessie, you deserve more than Tucson has to offer. This place has grown too dangerous.”

The neighboring milling sites, rich with silver ore, attracted a less desirable crowd. More and more wanted outlaws roamed the streets, cocky and almost daring anyone to draw down on them. The town grew, but the environment became more dangerous, and Papa wanted to move to a place where Odessa could get an education and perhaps find a suitable husband. At seventeen, the thought of marriage made her queasy.

But, Papa, I like living here,” she’d argued. “Mama, Granny and Grandpa are all buried in the church cemetery. We can’t just pick up and leave them.”

Darlin’, where they’re at is a much better place, believe me. Besides, your Ma wouldn’t want you raised in this God-forsaken place. This town wasn’t like this when we first came here. The population is being overrun with gunslingers and fallen women. It’s not fittin’ for a girl your age not to be able to walk down Main Street and be safe.”

But where will you work, Papa?”

I’m sick of mining and I can’t afford cattle to start a ranch. I can find something in Phoenix. Hear tell the Phoenix-Maricopa Railroad is about to start. There’s bound to be something I can do. Don’t you worry your pretty little head. I’ll take care of us.”

And so the decision was made.

Slumped beside her father’s still form, she lapsed into another crying fit, wishing she’d argued more for staying in Tucson. When she had no more tears to shed, she took stock of her predicament and realized she was wasting what was left of daylight.

Her only choice was to leave and hope some kind soul would come along and bury Papa. There was no more she could do. Determination to see her eighteenth birthday built within her breast. Dying wasn’t an option, but living was. If indeed her time to pass had come, she wasn’t going willingly.

Should she sit and wait for help to come? What were the chances? Granny always told her an idle mind was the devil’s workshop, and Odessa wasn’t about to tempt fate.

Unlike their few belongings strewn about, Papa’s rifle, the food they’d packed for the trip and two filled canteens were somewhere beneath the wagon. Odessa wriggled under the bed and crawled toward the front. Cactus stickers poked through her clothing and pebbles and stones scratched her legs, but she found the things she needed. Inching backwards with them in tow, she made her way out from under the overturned rig and, rising to her knees, inhaled the fresh air. Her fingers held tight to the pouch holding the few spare bullets Papa had brought.

Pondering her options, she muttered an oath. She wouldn’t have minded if they’d stayed in the town where she’d been raised. Tucson had grown in the past year, with another general store, a new boarding house, and two laundries operated by Chinese men in silken suits and funny little hats. But her father saw danger she didn’t. “Oh, Papa,” she groaned. “You didn’t have to die because of me.” A lump formed in her throat.

She stood, purposely avoiding the other side of the wagon and his body, and bent to pick up the lap blanket normally kept stored beneath the seat. After shaking the dirt and thistles from the cover, she folded the material across her arm. Although the late April day grew hotter, desert nights were often cold and unpredictable. Flash floods were common, and even an occasional snow flurry wasn’t an odd sight on the higher plains.

The thought of being alone at night raised the hairs on the back of her neck. Predators filled this barren land and she had no desire to become a meal for one. Something rustled through the nearby scrub brush. She jumped, but sighed when she heard nothing further. At least if she remained with the wagon, she’d have some sort of shelter and could start fresh in the morning. She’d spent the night with Granny’s lifeless body in the house, so being with Papa was the lesser of her concerns. He loved her in life, and death wouldn’t change that. Perhaps he’d watch over her and keep her safe.

Odessa propped the rifle against the wagon, hung the canteens and pouch from a wheel hub and spread the blanket by the tailgate. Her stomach rumbled. She hadn’t eaten since breakfast. Papa had planned to stop for an early dinner in a good place to camp for the night, but the trip hadn’t lasted that far.

She dropped to the ground, tucked her skirt around her legs, and pulled a sandwich wrapped in a blue-checkered cloth from the basket. The thought that Papa lay only a few feet away stole the taste from the ham and brought tears to her eyes again. While she chewed, she watched the bright orange sun sink into the western sky. Her heart hammered with dread of the coming night.

The temperature dipped along with the sunlight. The air grew cold and raised goosebumps on Odessa’s arms. She kept vigil at the end of the wagon and snuggled beneath her blanket. A golden slice of moonlight hovered above. The outline of the nearby saguaros took on a human appearance. Arms and legs and faces masked by darkness. She shivered as a coyote howled in the distance.

Before long, another desert dog launched into a hair-raising cry, only to be answered by yet another. This one sounded too close. Letting go of the blanket, Odessa reached for the carbine and pulled the weapon across her lap. She’d never shot at anything other than a bottle on a tree stump, but having the rifle slowed her racing heart.

Her gaze scanned the shadows for movement. An occasional rustling indicated something small skittering about, but that didn’t frighten her as much as the continued yowling that grew nearer. Her rigid shoulders ached and her eyes blurred from staring. Despite only muted moonlight, being so exposed made her uncomfortable.

What if the remaining food attracted the coyotes? Odessa pushed the basket back beneath the wagon then realized a dead body was more likely to attract scavengers than her meager fare. Feeling foolish, she stood and gathered her canteens, then lay on the dusty ground and inched her way back beneath the tailgate, pulling the rifle in with her. There was not room enough to spread the blanket, and despite the stickers and pebbles poking at her, she’d much prefer the discomfort to the sharp teeth of a hungry animal.

On her stomach and clutching her weapon, Odessa peered into the darkness. She focused on happier times when Granny was still alive and told stories of her own childhood. Most of them were tall tales, but what she wouldn’t give to be back next to the hearth and a roaring fire, listening to those yarns. Her favorite had always been about the ghost who lived in the pasture, but the fright Granny inspired by telling her spirit story was nothing compared to the lump of terror building in Odessa’s belly. She never realized the night held so many strange noises.
******
This book, like all my others, is listed in my Amazon Author's Page in both download and print.  This book is also offered at Eternal Press

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