Blurb:
Here's today's six:
This book is featured with all my others on my Amazon Author's Page, and for sale directly from Eternal Press in both print and download.
I write western historical novels because I love that time period. The old west was raw, hard, and character building. To survive, the people had to have exemplary strength and determination. But, my fascination doesn’t end with the pioneers; I’ve always had an unexplained interest in the history of American Indians, so much so that I wonder if I lived a previous life as one. By writing about them, I can help alter the perception that TV westerns have fostered—that the red man was always the bad guy. In two previous novels, I focused on the customs and traditions of the Lakota Sioux. I tried to portray them as the proud people they were.
I often wonder if readers realize that writing an historical is much more time consuming than say writing a contemporary or suspense. Although the story is fictional, the facts to support history have to be accurate and true. The language has to fit the period as does the dress, and the gadgets available at the time. Back in the 1800s, which is the era of my choice, kids were goats, mothers were Ma, not Mom, and fathers were Pa, not Dad. The idea is not to overwhelm the reader with a history lesson, but pepper the story with facts that relate to the scenes and characters.
In writing my first novel, I had my hero delivering his bride to in a shack in the middle of the prairie. I described her reaction to a rundown house, grass growing through the wooden shutters, a few pieces of splintered furniture. When I described the rooms, I also described a heavy iron stove. My editor was quick to point out that a deserted shack was more likely to have a fireplace and hearth where cooking was performed, and that the abode wasn’t likely to be more than one big room. Thank God, for editors who help us learn our craft. Now, when I write about a room, I put myself back in the time period and see through the hero or heroines eyes what should be there. If there is a question in my mind, I research the object and see exactly when it was invented.
There’s no faster way to lose your credibility as an historical author than to yank your reader out of the story by having written about something that doesn’t fit the time. Imagine my Sarah, dressed in gingham, with her bonnet securely tied under her chin, coming in from the barn, carrying a pail of fresh milk. She sets the heavy container on the floor, and deciding to have some more coffee, pops a cup in the microwave to heat it. WAIT a minute. Something is wrong with this picture, and although I’ve used a very obvious discrepancy in time, you’d be surprised how quickly some historical readers are to pick up on even the slightest faux pas.
Still, despite the extra time and effort required, historical writing is my preference. My heroine in Sarah’s Journey is the kind of person I strive to be. I want her survival strength, determination, and her ability to stand up to people when others are mistreated. I want to right the wrongs of humanity, and if only through becoming Sarah for a brief time, I can show my readers how badly people of half blood were treated and how hard life was in the old west. I can hold up my head, trudge along the
I asked a fellow author at Eternal Press to do a review of Sarah's Journey for me. He said the only western-type book he'd read was Shane, but he would give it a try. I picked this part from his lovely summary to share with you. Robert Appleton made my day when he posted:
I thoroughly enjoyed Ms. Simpson’s recreation of Western life. The word that kept coming to mind as I read this story was uncompromising. Little is omitted, whether it be gruesome wounds, the preparation of herbs and food, Sarah’s body language, or the precise terms for the different noises made by a horse. I loved seeing all this research come to life. The author’s passion for the period and particularly for her characters shone throughout. This was clearly a labour of love.
And he's right. Every book I've written is a favorite for different reasons, but I have a very soft spot in my heart for Sarah and Wolf and I think it showed. *smile*
I'm pretty sure this is the first review I've had done by a male peer, and I was quite pleased that Rob Appleton ventured outside his "comfort" zone and picked my book to read. We exchanged comments about the ending, because, clearly, when I wrote this book, I knew people would either love or hate a veer from the norm, so I truly understand his comments. Once I explained my reasoning, I think he agreed I had done the right thing. The other reviews I've received, to my great surprise, have supported and praised Sarah's conclusion. I'm so honored that he enjoyed my work. If you haven't read any of Rob's books, you're missing a great treat. Like Sarah's Journey, you can find them at Eternal Press 
Nope...it's just me happy dancing again. I couldn't wait until the original was posted at Kwips and Krits, so I'm sharing it now. 

ESTELLA KISSELL! 
If you visit this site, you'll find some book covers competing in the May contest. I'm very happy to say that Julie Darcy's beautiful cover for Sarah's Journey is among them. Please visit and pick your choice, whether it be Sarah's cover or another. This is a great opportunity to make someone's day and recognize the talent of a cover artist. So click the link below and cast your vote.
My awesome friend and cover artist, Julie D'arcy has once again risen to the occasion. I truly owe her for all she's been through with me, and I'm so proud of the new cover for Sarah's Journey. Hopefully this will put to rest all the controversy over me using the other IStock.com image for any book that bears my name. I can only hope this one meets with everyone's approval. I know for certain I'll not buy another promotional item until the book is published and available for sale. *lol*
Sarah started toward her smoldering Conestoga, now barely recognizable. She’d used her last penny to buy it to make this trip, hiring a driver and packing everything she owned into the beautifully-crafted prairie schooner. This wasn’t how things were supposed to turn out. Headed for
The smaller wagon behind Sarah’s stood unscathed except for the arrows jutting from the canvas covering. In contrast to violence, delicate feathers decorating the shafts swayed in the breeze.
Her eyes smarted from drifting smoke. She called out again, but still received no response. Sarah summoned strength, gathered her wits and forced her reluctant legs to move. Unsteady at first, her determination gave her strength. She fought the urge to retch when she passed by the body of the wagon master, Mr. Simms. The top of his head had been slashed off, leaving a bloody pulp. She jerked her gaze away only to view three more male bodies, one clutching a lance stuck deep in his chest. All had been desecrated in the same savage manner.
She swallowed hard and forced herself to continue her search. Circling the camp, she found more bodies as she went from wagon-to-wagon. Next to what remained of her own, she found her driver, Fred Tanner. His eyes stared lifelessly at the sky; an arrow protruded from a dried circle of blood in the middle of his shirt. He, too, had been scalped. Sarah bent, and focusing only on his placid face, closed his eyelids. Guilt gnawed at her, and she straightened and whispered a silent prayer on his behalf. In their business arrangement, he had ended up paying far more dearly than she had.
Hope pushed her onward in a quest to find someone alive. The dead children sickened her more than the deceased adults. Barely starting their lives, they came to a bitter end far too soon. She discovered most of them huddled with their mothers in the backs of the unburned wagons, fear still etched on their tiny faces.
The smell of charred flesh hung heavy in the air and made it difficult to breathe. Sarah crinkled her nose in disgust, her shoulders sagged. Each person deserved a proper burial, but she couldn’t do it all by herself. Her head pounded in rhythm with the panic in her heart as she realized the seriousness of her predicament. The Indians had taken all the animals, and from what she could tell, most of the food. She had no idea where she was or how she would survive.
Sarah collapsed to the ground and buried her face in her hands. Sobs wracked her body as she mourned each person’s passing. She’d barely gotten to know them. Only fifteen days ago in
She cried until her tears ran dry, then finding composure, convinced herself weeping wouldn’t help. At twenty-two-years old, she was determined to see twenty-three. But how? She could walk for help, but in which direction, and how far? Even if she filled her canteen with fresh water from the stream, how long would it last before she reached another source? What if the Indians came back? It appeared they had taken all the weapons leaving her defenseless. She couldn’t just sit and wait. Besides, in the warm spring weather it wouldn’t be long before the bodies started to decay. Leaving appeared to be her only option.
She pulled a ladle from a nearby water barrel and took a long draw. The coolness quenched her thirst and eased her parched throat, but another scan of the deserted campground stirred her fear. It was time to begin her trek and she wasn’t ready. In fact she felt scared to death. She dropped the dipper back in place and struggled against consuming hopelessness by remembering her faith. God had seen her through other troubled times, surely he wouldn’t abandon her now. He saved her for reason, but what?
